Uses examples from the author's experiences writing books for young adults to show the power of literature to see through someone else's eyes and feel through their skin. Offers suggestions for teachers for ways students can take part in the life of the language, shape it, and discover the vitality of the printed page. (SR)

Claims that capturing an adolescent novel in shaped, found, or structured poetry gives students ways to tell others what the novel meant to them. Discusses five poetic forms (riddle poem, found poem, character poem, poem for two voices, and repeat poster poem) and presents student poems. (RS)

Describes an approach, called "dependent authorship," to reading literature and writing literature that is used in the middle grades through the college level and that is effective both in teaching writing and in promoting careful reading. Notes that students use a published literary work as a foundation for their own creative writing. (SR)

Uses Chris Crutcher's "Chinese Handcuffs" and several other pieces of young adult literature to show how to teach literary elements and writing and reading skills. Notes that prominence is given to students' responses to reading and writing. (RS)