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Aaron Lohmeyer – Action, Criticism, and Theory for Music Education, 2023
Teaching for musical meaning can be a multifaceted topic, since a universally accepted definition of musical meaning is elusive; yet musical meaning remains at the heart of music literacy. Music literacy is equally complex, as changes in technology constantly reorganize how musical sounds are produced, recorded, and transmitted. Today, musical…
Descriptors: Music Education, Literacy, Syntax, Suprasegmentals
Hess, Juliet – Action, Criticism, and Theory for Music Education, 2016
Music is inherently connected to sociopolitical contexts and relations. Music and politics are intertwined both historically and presently, and there is much literature exploring the relationships between music and various political movements. In considering the importance of an approach to understand these connections and relationships, I suggest…
Descriptors: Music, Music Education, Music Teachers, Aesthetics
Elliott, David J.; Silverman, Marissa – Action, Criticism, and Theory for Music Education, 2017
The praxial philosophy of music education in "Music Matters" (2015) argues that music educators should teach democratically, creatively, and ethically toward empowering students' abilities to achieve full human flourishing through critically reflective music making and listening of all kinds. Moreover, "Music Matters" contends…
Descriptors: Music, Music Education, Music Teachers, Ethics
Graham, Matthew C. – Action, Criticism, and Theory for Music Education, 2016
This paper addresses the role of music and music education in the perpetuation of settler colonialism (a particular colonial configuration predicated on the expulsion of indigenous people and occupation of indigenous land) within the United States. Using Baudrillard's notion of simulacra, or "false truths," to look at racialized…
Descriptors: Foreign Policy, Music, Music Education, Land Settlement
Bell, Adam Patrick – Action, Criticism, and Theory for Music Education, 2015
The proliferation of computers, tablets, and smartphones has resulted in digital audio workstations (DAWs) such as GarageBand in being some of the most widely distributed musical instruments. Positing that software designers are dictating the music education of DAW-dependent music-makers, I examine the fallacy that music-making applications such…
Descriptors: Music Education, Educational Technology, Computer Software, Music Activities