As an art educator and a native Korean immersed in Asian culture until 30 years of age, and one who has gained some insights into the two cultures of East Asia and America, the author is constantly thinking of what students will learn from embracing Asian visuals and objects in art curriculum. He asks if their history, identity, form and function,…

With increasing emphasis on multicultural art education and integrative pedagogy, educators have incorporated community resources, such as cultural artifacts exhibited in art museums, to enrich their programs. Cultural artifacts are human-made objects which generally reveal historic information about cultural values, beliefs, and traditions.…

Drawing from personal childhood experience of rich art encounters at home rather than in school, Crum conducted a small-scale observational study to examine how art is practiced and valued by families living in her community. The elementary-school art teacher began by asking approximately 250 children in grades 2 - 5 to write statements about art…

The chief characteristic of the visual arts as a humanity is that the focus is upon the individual. (Author)

The artist experiences the world and extracts from it elements that have worth. The study of art is a training in perception. Children should be introduced to works of quality and should be encouraged in their own artistic activity because art educates their responsiveness to values. (CS)

The focus point of this article was a trip by students to the Metropolitan Museum of Art in New York, the high point of their experiences and a format to analyze child awareness, interest, and concern for contemporary art. (Author/RK)

Cultural understanding is essential to contemporary art education practice, however, there is much confusion about the various lenses through which one should consider the intersection between culture and education. Davenport (2000) distinguishes among four approaches to culture and education that include international-comparative, global,…

Author attempts some clarification of his general philosophy of art and of the teaching of painting. (Author/MB)

The authors' purpose in presenting this paper was to propose a rationale on the importance of developing and using behavioral objectives to improve student teaching experiences. (Author/RK)

Discusses the function of art education as a guide to the quality of life. (RK)

Compares the art historian and the art teacher and the meanings and values from studio art, art history and art education. (Author/RK)

Summarizes the lives and pursuits of four U.S. artists: Winslow Homer, John Frederick Peto, George Bellows, and Joan Mitchell. Explains the concepts apparent in the four works of art and shows how the artists created these works through expressing their perceptions of the world around them. Lists questions for further exploration. (CMK)

The purpose of this article is to demonstrate that important aspects of aesthetic education are neither technical nor abstruse, and that elementary school teachers particularly can develop in children an openness to aesthetic experience. (Author)

Presents three classroom activities based on four portraits from the John and Mable Ringling Museum of Art (Florida). Discusses cultural context and values represented in the portraits. Includes lesson plans and four full-page color photographs of the portraits. (CFR)