Recounts a conversation with author Ken Kesey. Describes a year-long graduate writing course in which Kesey and his students collaborated on a novel. Explains how the novel was written and how characters and plot were developed. Suggests that, if available to the class, computers would have simplified the writing. (SG)

Discounts Collier's study of the effect of computer-based text editors on the quality of students' revision, arguing that editing is not an innate skill and that the computer predictably would not improve upon a process with which the students are not familiar. Collier replies that he excluded several methodological alternatives to reduce the…

Discusses what computers (word processors) can do for the writer. Examines the physical and psychological constraints experienced by writers and explains how word processors can help in overcoming them. (FL)

Describes an experiment at Montana State University in which 12 professors and four freshman composition students were trained to use the university's central computer as a word processor. Concludes that the computer can be a powerful revision aid for writing students. (FL)

Explains how a year of observing two successful novelists write and revise on the computer provided a number of ideas that are encapsulated in the concept of a fluid text or the writer's conscious avoidance of a text that becomes static or fixed. (HOD)

Describes different kinds of student correspondence over the writing center network at a state university. Argues that the interaction between student and text via machine promotes good writing and improved motivation, even when the subject matter is as extracurricular as dating. Includes messages from student to student, student to teacher, and…