To reveal responsibilities of storytelling, I first disclose my representation of indigeneity, and then, as an indigenous writer, I use the narrative paradigm to examine divergent stories told about the death of Apache Chief Mangas Coloradas. This study demonstrates for teachers and students of writing how important it is to remain ethical in…

Motivated by a fear that she may have plagiarized, the author considers the possibility that plagiarism might be understood as a transgression against reading as well as against writing. Drawing on Philip Eubanks's work in "Metaphor and Writing," the article proposes that one reason for composition studies' ambivalent relationship to…

The authors report on a study of writing transfer using a relatively novel method. Specifically, they use screencast videos to study the work of a dozen undergraduates who had taken first-year writing and were now enrolled in an interdisciplinary biology class. The authors argue that students were able to adapt to the writing requirements in the…

This article initiates scholarly discussions of "undergraduate research," an educational movement and comprehensive curricular innovation, in composition and rhetoric. I argue that by viewing undergraduate research production and authorship along a continuum of scholarly authority, student scholars obtain "authorship" and "authority" through…

Creative writing workshops typically feature a gag rule and emphasize purported flaws. This structure limits students' meaningful engagement with each other's work; positions the author as inherently flawed; and positions other participants as authority figures, passing judgment without articulating their aesthetic standards. I propose an…

A satisfying assignment for college freshman composition classes is to send students out to interview working writers in the college community. (HOD)

Describes the characteristics of an alternative writing workshop in which the author controls the discussion. Discusses the respective roles of the writer, the readers, and the teacher in such a workshop. (HTH)

Shows how students improve their powers in writing nonfiction when they are asked to solve writing problems similar to those facing major novelists. Advocates teaching literature by teaching writing, and vice versa. (RL)

Any teacher can teach black literature if he is willing to give it the same respect he gives white writing. (JH)