Although emotions are an important facet of teaching and learning in all classes, emotional literacy plays an especially significant role in classes that engage critically with difference. My article redefines and theorizes critical emotional literacy, proposing that we understand it as a social practice that must be developed not only by means of…

The author explains how principles of cognitive science can help teachers of literature use texts as a means of increasing students' commitment to social justice. Applying these principles to a particular work, Uncle Tom's Cabin, he calls particular attention to the relationship between cognitive science and literary schemes for building reader…

Although "close reading" remains a worthwhile goal for undergraduate English courses, the term has actually been defined in numerous ways, which need to be compared and assessed. Unfortunately, the version of it spread by the New Critics has intimidated students, making them feel unable to decipher a literary text's real meaning. They…

Introduces four essays on psychoanalysis and the teaching of literature that appear in this issue of "College English" and discusses in general how the psychoanalytic phenomenon of resistance applies to the teaching and comprehension of a piece of literature. (JC)

Draws a parallel between the resistance experienced by a patient in psychoanalysis and the resistance expressed by students in composition or literature courses. (JC)

Offers a psychoanalytically based reading of Conrad's "The Secret Sharer" and points out the similarities between analysis of a text and analysis of a patient in a psychoanalysis session. (JC)

Introduces three essays--in the second of two issues of College English devoted to psychoanalysis and literature--on psychoanalytic theory, literature, and the roles of teachers in helping students situate themselves in relation to knowledge and in breaking through students' resistance as they read. (JC)

Presents the notion of a "textshop," which juxtaposes methods of teaching reading and writing with psychoanalysis, both of which are approached through Andre Breton's invention of surrealism. (JC)