It has been twenty-seven years since a small group of faculty at the Community College of Baltimore County, faced with the discovery that two-thirds of students placed in our upper-level basic writing course never passed first year composition, began the development of the Accelerated Learning Program (ALP), one of the earliest corequisite…

English 382 is a multimodal composition course that counts as a "C" credit, a composition course that fulfills one of the courses mandated as general education requirements. The writing program administration at the university created this course as one in a series of four new multimodal composition courses in response to increasing…

The Global Society of Online Literacy Educators (GSOLE) Basic Online Literacy Instruction (OLI) Certification is open to GSOLE members and is designed to help online literacy instructors, tutors, and writing program administrators learn foundational principles, theories, and practices of teaching and tutoring writing online and apply those to the…

Over the last decade celebrations of student writing (CSWs) have been instituted at universities across the nation as a public way to celebrate students' voices, identities, and literacies. Often touted as a way to gain campus-wide recognition and support for first-year composition courses, this event also purportedly fosters agency and authority…

In the 2015-16 school year, the authors of this article developed an innovative research and assessment project on a new first year composition curriculum based on a pedagogy they call Critical Hip Hop Rhetoric Pedagogy (CHHRP), an educational approach built upon the classroom-based research of linguistic anthropologist H. Samy Alim…

This article takes up the "special strangeness" of grading practices in the graduate creative writing workshop, based on the author's research, personal experience, and interviews with the faculty of her doctoral creative writing program. Using a structure of notes, the author attempts to make sense of the way grades are understood by both teacher…

Although teacher feedback is vital in teaching students to write, and is a topic of interest and debate in L1 (native or first-language) and L2 (second language) composition theory, there are virtually no studies that analyze teacher commentary conducted in a linguistically diverse setting of L1 and L2 first-year composition students. This study,…

This article points composition scholars toward two bodies of theory that are gaining attention in our discipline, performance studies and multimodal discourse theory. Each raises important questions about the ways we teach writing, the kinds of composition processes we value, and the means by which students construct authority in the university.…

This article outlines the experiences of a first-year writing program's adoption of large-scale portfolio assessment as part of its move from student-focused assessment to programmatic assessment. This research is an attempt to provide evidence to support the claims benefits associated with portfolio assessment and to chronicle the changes that…