Discusses the potential impact of the recent call for cultural literacy on arts education. Describes current design approaches in the arts education curriculum. Suggests a number of ideas that are deemed important for curriculum reform. Cautions that curricular changes, although much needed, must be thoughtfully considered before implementation.…

Proposes a model for a comprehensive arts curriculum. Discusses the significant phases of the curriculum and relates them to each other. These phases include identification of values, conceptualization, systematizing, interpretation, operation, and experience. Lists five objectives that serve as criteria for judging the worth of curricula. (KO)

Three arts educators comment on the relationships among skills, knowledge, and creativity in the arts curriculum. Charles H. Ball states that these elements should be balanced in the curriculum. Eunice Boardman suggests that adequate statement of curricular goals does away with the need for balancing. Karen A. Hamblen notes that the three elements…

Presents ideas concerning the art-as-center and art-as-means dichotomy, European heritage, the art and humanities relationship, and the economic context. Synthesizes some of these ideas and makes recommendations about priorities for policy work. Suggests that both the graduate research establishment and the professional organization need to look…

Evaluates the state of art education in light of the National Endowment for the Arts Report, "Toward Civilization." Cites rationale for arts education and makes recommendations for accomplishing the Report's programs. Suggestions include a sequential curriculum, comprehensive testing, improved data gathering; recruitment of outstanding…