Discussing the inadequate support that theater receives in elementary and secondary schools, the author explores the value of theatrical processes in teaching across the curriculum. Describes three levels of experience that are vital for learning, stating that teachers must do a better job of using theater as an educational tool. (GEA)

States that the increasing attrition rate of students applying to and persisting in education programs suggests that curriculum reform may not provide more teachers or even more effective teachers. Discusses the need for predictive measures in determining who should teach, recognizing that educators must encourage students to complete programs and…

Presents a brief historical overview of the basic premises for fine arts education. Emphasizes that the fine arts should be taught as an end in themselves, with no utilitarian function attached to them. States that such aesthetic education is a necessity in the development of human beings. (GEA)

Discusses the influence of the artist role model on art education, examining the extent to which other models are given credence. Suggests that art educators examine the limiting factors within art education so that a more inclusive approach, which would be more responsive to student needs, could be developed. (GEA)

Emphasizes the call for excellence in education. Discusses the topic from the perspectives of teachers, parents, taxpayers, artists, and students. Concludes that the schools are making positive steps toward a systematic study of the arts and humanities. (GG)

Discusses the need for a coherent curriculum in arts education. Suggests that the discipline-based art education (DBAE) approach has as its goal the achievement of coherence and the acceptance of art as a basic in education. Recommends that each individual teacher evaluate program alternatives in terms of their own needs. (KO)

Discusses the changes made by the North Carolina General Assembly in the state school system with the Basic Education Plan (BEP). The plan focuses on curriculum, class size, spiral curriculum, and competency examinations. Reports that the BEP views the arts as basic to education. (GG)

Examines the search for a common ground between arts advocates and art educators who are trying to establish an effective arts education program. Discusses sequential curriculum, the Getty Trust, and the integration approach, advocating a constant application of substance as the solution. (GEA)

Examines the dichotomy between the affective and cognitive domains and the lack of support for art education in the school curriculum. Argues that, until school administrators view art as a mind building subject, it will retain marginal importance in the curriculum. Concludes that discipline-based art education will best meet the challenge. (GG)

Advocates that art should be taught by the certified art educator. Suggests art programs should be based on a substantive content foundation, sequence, and integrated with four components: art production, aesthetics, art criticism, and art history. Questions the worth of enrichment, exposure, or entertainment without substantive content…

Discusses the future of art education in relation to changing demographics, technologies, values, and art forms. Reiterates two basic theories of art education: a separate subject with a defined place in the curriculum or a decentralized approach in which teacher involvement in the planning process has priority. (GG)

Describes Tennessee's response to the educational reform movement. Discusses the Comprehensive Education Reform Act of 1984 (CERA) which instituted Tennessee's Career Ladder Program. Provides an evaluation, and identifies strengths and weaknesses of the the Tennessee Arts Academy which grew out of CERA. Concludes that the Tennessee Arts Academy is…

Examines the role of the National Endowment for the Arts in determining art education policy, stating that the organization has become increasingly political and has failed to realize its early promise. Argues that the arts should be regarded and taught as a humanity. Advocates an "excellence curriculum" for secondary art education. (GEA)

States that the critical work for art educators will continue to be curriculum development and implementation. Claims that an emergent issue for art education is a community-relevant, developmentally appropriate curriculum. Discusses issues facing curriculum developers and outlines criteria for the art education curriculum. (GG)

Discusses the potential impact of the recent call for cultural literacy on arts education. Describes current design approaches in the arts education curriculum. Suggests a number of ideas that are deemed important for curriculum reform. Cautions that curricular changes, although much needed, must be thoughtfully considered before implementation.…