Do people comprehend texts differently based on genre expectation, i.e. whether they are instructed to read a text as fiction or nonfiction? In earlier studies conducted before the prevalence of digital and online reading, texts labeled as nonfiction demonstrated greater situational-model comprehension (gist), while the same text labeled as…

Compelling and interesting introductions are considered an important way of fostering reader engagement with expository-text content. But only a handful of projects have examined this prescriptive advice. In three experiments, we examined the effects of two different genres of introductions--narrative and expository--on comprehension and memory…

Text social information includes the cognitive processes and social communication skills that support real or hypothetical human thought or interaction. The current measure of text social information is genre. However, genre is a limited measure because of poor operationalization, limited specificity, and overlap with structural and linguistic…

This study examined the role of source credibility in the validation of factual information embedded in short narratives. In a self-paced reading experiment, we tested the assumption that the degree of (im-)plausibility determines the extent that source credibility affects validation during comprehension. We used reading times of target and…

The spread of digital technology has prompted an increase in the amount of written text that gets produced and disseminated daily, together with a diversification of reading contexts and purposes. In this article, we propose that modern reading increasingly relies on readers' ability to set up and manage their own reading goals and decisions. We…

We argue that to understand how readers process narrative, it is necessary to distinguish between psychological stance (i.e., how the narrator evaluates events and characters) and physical perspective (i.e., the angle of view from which events are described). Although these are metaphorically related, the cognitive processes that produce such a…

In some narratives one world is embedded within the main world of the story, which we refer to as the base world, and elements from one world can cross over into the other. This study explored the conditions in which readers perceive character crossover as being likely to occur. Participants read stories that set up the potential for a character…

Previous research showed an emerging appreciation of literary narratives on second reading, whereas such effects fail to occur for the same narratives depleted of literary features. This might suggest that appreciation is associated with readers' acknowledgment of the purposefulness of literary devices on rereading. It may also be that the…

This research examined readers' knowledge of popular genres. Participants wrote short essays on fantasy, science fiction, or romance. The similarities among the essays were measured using latent semantic analysis (LSA) and were then analyzed using multidimensional scaling and cluster analysis. The clusters and scales were interpreted by searching…

There is growing consensus that, for trained readers, poetic-text processing involves a genre decision, which triggers genre-based conventional expectations and directs attention to the textual devices. This research examines how students recognize and process texts in poetic versus prose form at different points during their literary education.…

Although it seems plausible that people who prefer a particular genre would appreciate characters from that category more than those from other genres, this appears not to be the case. We devised a parsimonious reality-based genre taxonomy that differentiates nonfiction, realism, fantasy, and humor. In Study 1, evidence from film viewers' genre…