Process texts are published works that pull back the curtain on composition to show the techniques, tools, technologies, procedures, and/or inspirations of the creative process. Process texts also emerge mostly from nonfiction genres including memoirs, documentary films, and podcasts. In this article, educator Jason Griffith shares ways teachers…

Teaching a senior seminar on creative nonfiction led author Sarah Gompers to consider how she might help her students understand the concept of writing with vulnerability. All stages of the writing process must be explicitly taught, and this extends to something as basic as topic selection. When students are taught about vulnerability--what it is,…

The author shows how using art helped a blind student in an AP class and students in Creative and Practical Writing classes improve writing proficiency and critical thinking.

Providing students with the opportunity to generate new content and share it with a wide audience invites students to compose texts with the care and conviction that cannot be duplicated when writing solely for the teacher. This piece documents one teacher's effort to engage 99 eighth graders with an authentic writing opportunity: the…

This article provides an overview of a unit plan that integrates nonfiction and issues surrounding social justice. The author's goal for the article is first and foremost about practice, highlighting a unit they taught using nonfiction that centered on how reading and writing can be used to address issues of social justice and change. The author…

This article draws on the experiences of two young adults, Sean and Jerome, who participated in a writing workshop at a juvenile detention center. The young adults composed screenplays to explore how writing could call on their unique perspectives and life experiences to amplify their beliefs. While some educators emphasize a skills-based…

Teachers know that the most valuable learning occurs in classrooms where a sense of community exists. Community encourages rich learning because of the interactions among many individuals, not the limited, two-way exchange of ideas or information that is often the case when students fail to form a community. But what makes a community?…

Deborah Appleman's recent research has focused on teaching college-level language and literature courses for incarcerated men. In this article, she discusses using creative writing as a way to unlock creative potential, to foster students' love of language, and to offer a powerful outlet for self-expression in a class she teaches with…

Imaginations are the best tools people have to avoid future conflicts and unpopular wars. People may never find the panacea to eliminate all violence, but perhaps if students develop their imaginations today, America as a nation can begin to solve more problems with creativity than with fists. Imaginations allow for better decision-making.…

Today's high-stakes testing world has changed the English classroom a great deal, and perhaps one of the most dramatically affected areas has been that of creative writing. As all English teachers well know, creative writing does not easily lend itself to a multiple-choice test or a five-paragraph essay. As the authors began the push to prepare…

Writing a screenplay was an assignment that was part of Storytelling Through Film, a program sponsored by the Austin Film Festival, a professional film organization. In six weeks, students in creative writing and English classes first learned about the genre of screenwriting and then wrote original screenplays. The curriculum was a collaborative…

In teaching a research-writing unit, the author has asked her students to research and write a persuasive speech, a multigenre paper, an I-Search, a historical and comparative connection to literature, a country brochure, and a social criticism essay. While she found benefits and disadvantages in all of these assignments, the author was…

Writing creative nonfiction means perceiving what details are worth telling, why they might matter, and how they might connect. Although no one much likes the term "creative nonfiction" (some are bothered by defining something by what it's not, others by a conviction that the idea is oxymoronic), it has emerged as the name of choice. In the past…

Prior to her joining the California Writing Project's (WP) Improving Students' Academic Writing (ISA) program, the author relates how she used to get frustrated when she read her students' essays. As a result of her new understanding gained from her participation at ISA, the author boldly banished traditional literary analysis papers that asked…

Applying his experiences teaching photography to teaching English, high school teacher J. Scott Shields cultivates students' original writing by promoting imitation. Students learn to develop their literary voices by crafting verse-narratives that mimic the character, plot, and stylistic devices of Dante and Chaucer.