Throughout this article, we explore how multiple arts-based learning strategies (ABLS) helped subvert traditional literacy methods. We ask two large questions: (1) How, as critically conscious educators, might we break down inherent institutionalized oppressive structures and have an education of liberation and freedom? (2) What can we say about…

The article describes a collaborative project co-taught by a creative writing teacher and the theater department's technical director that required students to write an original script and perform it as toy theater or shadow theater.

Anne Burke and Shelley Stagg Peterson argue that "picture books offer a medium for teaching visual and critical literacy across the curriculum." To support this idea, they describe a multidisciplinary unit on World War II that pushes high school students to utilize visual and print literacies to analyze, comprehend, and relate to public events and…

Notes that "Julius Caesar" is required in nearly every high school curriculum, but that making the play accessible to students is not easy. Tries new teaching ideas to see whether students would more readily take to "Julius Caesar" using a more interdisciplinary approach. Describes three of these ideas that were particularly…

Discusses how to incorporate videotaped productions of Shakespeare's plays into the English classroom. Describes three specific ways of using video to complement the literary text. (MM)

Describes how, at a school in Texas, Shakespeare becomes a teaching vehicle for learning-disabled students as they engage in a year-long class that studies Shakespeare and his times, as well as produce an entire play. Argues that the experience works so successfully because it is student-centered, collaborative, and experiential. (SR)

Outlines a lesson for Shakespeare's "Romeo and Juliet" which compares the Shakespearean text of Romeo and Juliet's parting (Act III, Scene V) with a Rudolph Nureyev ballet of the same episode. (MM)

Argues that the contemporary language arts curriculum encompasses eight areas: literature, language, composition, speech and drama, critical thinking, technology, media literacy, and interdisciplinary studies. Offers a rationale for "cosmos" as a new metaphor for the language arts. Discusses the content of each of the eight curricular areas, and…