Describes an assignment for high school or college literature classes in which students focus on a particular character, answer a list of questions about that character, and eventually write an imagined yet realistic dialog with that character. Notes that this helps students grasp a character's complexity and depth. (SR)

Describes a writing assignment in which students read only the first two paragraphs of Charles Dickens's novel "A Tale of Two Cities" and then, after some brainstorming and prewriting, write a paragraph or two modeled on those, explaining the confusion and turmoil of the present day. Notes how Dickens's expressions become more familiar…

Describes three assignments the author uses when teaching Chaucer (suitable for college or college prep high school classes) in which students learn what iambic pentameter is by writing two rhyming couplets, a ten-line conversation in rhyming couplets, and a creative project of at least 25 rhyming couplets, all in iambic pentameter. (SR)

Presents a simple writing assignment, composing an anthology, in which students have some control over their learning and gain confidence, enabling them to approach class discussions with more personal involvement and leading them to find more for themselves in poetry. (RAE)

Describes how the author and her high school English students begin their study of Thoreau's "Walden" by mining the text for quotations to inspire their own writing and discussion on the topic, "How does Thoreau speak to you or how could he speak to someone you know?" (SR)

Describes how showing a film version of a novel, short story, or play after a class has read and talked about the text can be an interesting way to encourage students to think about the text and develop a critical stance. Offers examples from two texts and their film versions. (SR)

Argues that the historical development of written narrative during the past century confounds traditional distinctions between fiction and nonfiction. Argues that students need to develop cognitive complexity. Outlines a sequence of assignments intended to destabilize students' assumptions about the difference between reality and fantasy, fiction…

Describes the evolution of an assignment in a college-level English class in which students present to the class their analysis of lyrics to a favorite song of theirs (on a particular topic). Shows how students thereby are eased into interpretation, critical examination, and some of the principles of literature. (SR)

Describes a class writing exercise for high school and college English classes (which functions well early in the first semester), which emphasizes a basic idea (that close inspection of a subject will reveal that there is a lot to say about it) by having students describe in detail a person's face, first as a class and then individually. (SR)

Describes two writing assignments that may be used to make Shakespeare more approachable and understandable: first a paraphrase of a passage, and second a memo to an actor interpreting the same passage. (TB)

Advocates allowing students to suggest topics for courses and to take an active role in planning the objectives and outline for a course's activities. Provides a writing exercise in which students are asked at the start of a course to select one reading from the anthology for inclusion in the course. (HB)

Describes the use of peer grouping and the puzzle-solving format of a popular television game show to help students explore literary themes and compose a paper. (HTH)