Describes a writing assignment in which students read only the first two paragraphs of Charles Dickens's novel "A Tale of Two Cities" and then, after some brainstorming and prewriting, write a paragraph or two modeled on those, explaining the confusion and turmoil of the present day. Notes how Dickens's expressions become more familiar…

Describes three assignments the author uses when teaching Chaucer (suitable for college or college prep high school classes) in which students learn what iambic pentameter is by writing two rhyming couplets, a ten-line conversation in rhyming couplets, and a creative project of at least 25 rhyming couplets, all in iambic pentameter. (SR)

Describes how generating effective advertising copy affords students practice in aspects of persuasive writing, such as developing a thesis, refuting counter-arguments, and writing in a comparison-contrast mode. Notes that this approach helps students negotiate the problematic shift from expressive to persuasive discourse without losing their…

Describes how the author and her high school English students begin their study of Thoreau's "Walden" by mining the text for quotations to inspire their own writing and discussion on the topic, "How does Thoreau speak to you or how could he speak to someone you know?" (SR)

Presents a variety of reading, writing, art, and discussion activities to keep students interested in studying "Romeo and Juliet." Describes using the film version of the play as a companion piece to unify the oral reading. (RS)

Presents an initial minicollaboration exercise with which to begin collaborative projects. Notes that students discuss how to respond to a range of comments and concerns of prior students to collaboration, thus shifting learning and discovery to students from the very first step. (SR)

Describes a writing assignment (useful for junior high through college age students) that seeks to improve students' descriptive writing through a set of class writing assignments using visual and concrete objects. Allows students to gain awareness, gain knowledge and discuss it, and ask questions as a body of learners rather than in isolation.…

Describes an assignment in which students read a travelogue excerpt and then must determine specified aspects of the writer's character based on evidence from the text. Notes how this exercise shapes students' awareness of how character influences writing, and how biases and assumptions influence reading. (SR)

Describes a writing exercise for middle schoolers to college students that encourages students to become more aware of language, especially word choice and audience in their writing, by writing lipograms (compositions from which all words containing a certain letter are omitted). Notes it can be used as a pre-revision activity, part of a poetry…

Advocates using scrapbooks as a genre for getting reluctant writers involved in writing across the disciplines of English and social studies. Provides examples. (PA)

Describes two assignments that help students realize the dialectic between parts (how one part affects the understanding of all other parts) by having students create their own photographs and physical structures, combine the parts in various way, and consider (in their written papers) the difference it makes. (SR)

Offers an exercise to help students understand the difference between summarizing and paraphrasing and how both practices can result in plagiarism if the original source is not cited. Explains how the exercise uses Lincoln's "Gettysburg Address." (TB)

Argues that the historical development of written narrative during the past century confounds traditional distinctions between fiction and nonfiction. Argues that students need to develop cognitive complexity. Outlines a sequence of assignments intended to destabilize students' assumptions about the difference between reality and fantasy, fiction…

Presents a class activity which uses laminated pictures from art calendars, museums, and other sources as a stimulus for writing. (SR)

Describes an activity in which students study and then create effective television public service announcements, thus integrating reading, writing, speaking, and drawing. (SR)