The thesis of the present paper is that collaboration is not only critical to the work of education at large but may function more effectively when it is conceived as an aesthetic enterprise. The counterintuitive claim of this paper is that an aesthetic perspective will both broaden one's perspective and sharpen one's focus in addressing both the…

Empirical psycho-aesthetics is approached in this two-part article from two directions. Part I, which appeared in the Winter 2012 issue of "JAE," addressed definitional and organizational issues, including the field's origins, its relation to "sister" disciplines (experimental philosophy, cognitive neuroscience of art, and neuroaesthetics), and…

Empirical psycho-aesthetics--an interdisciplinary field with a long tradition--is approached in this two-part article from two directions, in each case with several objectives. Part I, in this issue of "JAE", is devoted to the first direction, which is mainly definitional and organizational: the objectives are to present an outline of the field's…

Two of the most influential works of the Western nineteenth century were completed in 1859: Charles Darwin's "The Origin of Species" and Richard Wagner's opera "Tristan and Isolde." Although created within very different cultural traditions, these works show some striking similarities: both brought about a critical, long-lasting debate and caused…

In light of the civilization view, article made specific recommendations on the general idea of art, aesthetic education regarding art, and specific implications in periods of civilizational crisis. (Author/RK)

The sublime is a theory of aesthetics that reached its highest popularity in British literature during the Romantic period (c. 1785-1832). This article (1) explicates philosophers' different meanings of the sublime; (2) show how the sublime is relevant to education; and (3) show how the sublime "works" in literature by analyzing William Blake's…

What are the humanities, and how should they be cultivated? With respect to this crucial question, opinions differ as to how widely the humanities should be construed and pursued. Initially connoting the study of Greek and Roman classics, the concept now more generally covers arts and letters, history, and philosophy. But does it also include the…

Author describes aesthetic education as the development of sensitivity to the aesthetic qualities of things." (MB)

Concerns itself with the place of literature in aesthetic education along with the potential roles to be played by literary and dramatic forms in interdisciplinary programs. Suggests that literature is most likely to be constituted as an art form and taught as an art form within a program of aesthetic education. (Author/RK)

Maintains that artists seldom take an educated interest in any artistic discipline apart from their own. Suggests that students need to be allowed to confront each other with regard to the aesthetic quality of a work and suggests an interdisciplinary form like performance art could be a good starting point. (KM)

Author noted several very important nonepistemological factors which seemed to be particularly relevant to the success or failure of interdisciplinary inquiry, considered the epistemological and methodological constraints on interdisciplinary work, and expanded on the notion of interpretive knowledge as a universally necessary condition for…

The purpose of this essay is to introduce the concepts of self-authorship in graphic design education as part of an integrative pedagogy. The enhanced potential of harnessing graphic design's dual modalities--the integrative processes inherent in design thinking and doing, and the ability of graphic design to engage other disciplines by giving…