This article uses Zak Lancaster's 2016 discovery that academics do not actually write the way "They Say/I Say" says they do to reflect on relations between, on the one hand, facts about academic writing and, on the other, the pedagogical values that underlie and guide those facts--or, put another way, to reflect on how values we may…

In this essay, I examine the sociopolitical consequences of policing plagiarism and evaluating students' ethics within the context of basic writing's longstanding tradition of remediating and reshaping pedagogies, ideological stances, and what counts as academic writing. With the hope of illustrating how we might be more intentional about…

This article presents the results of three comparative analyses on forty-seven student papers in order to examine the effectiveness of a basic writing course in developing students' academic writer identity. The course curriculum, grounded in social identity theory, focuses on the core writing concepts and dispositions that promote writer…

Critical analysis of the literacy narrative assignment within the context of the other genres in a basic writing course complicates understandings of the political import of the assignment. While several advocates of the literacy narrative have argued that it has the power of what Jean-François Lyotard has called petits récits, the authors argue…

Claims that there is general agreement of a need to rethink the basic writing course. Posits that there is also a need to rethink the view of literacy on which the course is often based. Questions aspects of academic literacy and suggests ways to reform writing instruction at all levels by looking at literate practices outside the academy. (PA)

Describes the problems some basic writing students have had generating ideas for writing in response to timed essay tests. Proposes a technique based on the classical notion of the "topoi," which enables students to generate ideas and equips them for participation in the social and political dialogs they encounter in higher education.…

Examines the basic writing course described in D. Bartholomae and A. Petrosky's "Facts, Artifacts and Counterfacts" from the perspective of four gender-typed categories: "masculinists,""feminists,""androgenous," and "undifferentiated." Suggests that teachers define themselves, give shape to their…

Considers the changing definition of "academic discourse" in basic writing instruction. Focuses on preparing students for success in school. Refines positions sketched in an earlier essay. Asserts that new forms of academic discourse mix traditional academic with non-academic discourses, reflecting the profound cultural mixing occurring in the…

Borrows a rhetorical device from Isocrates, imitation, then combines it with the descriptive structure of Liva Polanyi and the referential (rather than expressive) aim of discourse from James Kinneavy to improve student narratives and prepare them for academic discourse. Describes how students imitate the structure of a brief poem, and they use…

Looks at correctness in writing as a sociolinguistic phenomena that conveys information about the author in terms of his or her capacity to write as a college student and in a form commensurate with academic standards. Concludes that correctness has a sociolinguistic role crucial to the field of basic writing. (TB)

Claims compositionists misrecognize stylistic and institutionalized conventions of academic discourse in their own rhetoric and in the evaluation of their students. Argues that students should be included in the practices by which compositionists "normalize" these conventions. Suggests how students might be included in the evaluative…

Analyzes the strengths and weaknesses of a project that used a peer group leader to help build bridges between basic writers and academic writers. Discusses the implications for the further use of peer group leaders in basic writing. (NH)

Contends that evaluations of student writing come not from some transcendent realm but from the discursive practices by which teachers authorize themselves within a given community. Argues that basic writers need explicit knowledge of such practices, and proposes a language-centered curriculum to teach it. (HB)

Argues that Mina Shaughnessy's view of language as a politically innocent vehicle of meaning overlooks basic writers' need to confront the dissonance they experience between academic and other discourses. Suggests educators need to abandon the limitations of the essentialist view of language informing their pedagogy. (KEH)

Constructs narratives concerning working class students to highlight the difficulties of negotiating academic codes and the necessity for writing teachers to strive to provide the space for working class students to "speak differently." Finds the negotiation must flow in two directions: the academy cannot take over a text without being…