Argues that listening is an integral part of composing by discussing the results of several listening/writing exercises (retellings of short stories or parts of novels). Notes that basic writers learned to hear the reader-voice in texts, thereby developing their internal writer's voice and better control of their writing. (RS)

Proposes the application of Norman Holland's views on transactional literary analysis to the teaching of basic writing, raising student awareness of reader and writer roles through frequent writing activities and reader feedback. (RL)

Sketches the historical movement from orality to literacy that Walter J. Ong theorizes, applying it to basic writing instruction for open admissions students. Suggests that teachers first concentrate on narrative and rhetoric to develop writing about particularized details, saving sentence control exercises such as sentence combining for…

Separate articles describe courses designed to teach basic writing to academically underprepared college students. Six courses are described: a program which teaches students how to reason correctly, on the premise that students cannot write if they cannot think; a course which teaches academically underprepared black students how language…