Provides a format whereby the reader can become an effective director of a CAI music program in a relatively short period of time. Included are guidelines for planning, financing, and operating a CAI program within the context of a complete music curriculum. (Author)

Provides a literature review of computers and music education through articles and monographs, conference proceedings, project reports, dissertations, books, and research in progress. (RAO)

Presents a review of the literature dealing with audio devices used in computer assisted music instruction and discusses the need for research and development of reliable, cost-effective, random access audio hardware. (Author)

Discusses the importance of the design structure of total programs in computer assisted music instruction and presents a model for integrating computer assisted instruction materials into the music curriculum. Listed are objectives and their relevant behaviors for use in a CAI course of study in music education. (Author)

Discusses an alpha-numeric system of encoding musical notation--ALPHAMUSE--which is based on fundamental concepts of tonal statements. Encoding problems for pitch, duration, and superpositions are described and solutions offered. (RAO)

Training basic auditory recognition and retention skills through the use of a computer-electronic organ interface is described. Session structure and computerized aural test modules are explained and results are detailed. (RAO)

The three projects described are a pitch pattern perception study designed to lead to accurate and rapid perception of patterns of from 2 to 12 notes, exercises leading to an understanding of basic principles of voice learning in triadic tonal music, and a procedure for manipulating encoding pitch materials interactively. (Author)

Describes the development of a CAI ear-training system centered around a concept-oriented philosophy which focuses all application areas on a learning sequence based on tertian tonality. The hardware and software support of this system, site development and maintenance, student use, and curriculum development are reported. (RAO)

This paper begins with a look at the present state of computer applications to music education. Instructional systems for instrumental music, music fundamentals, ear-training, set theory, composition, analysis, information retrieval, automated music printing and computer-managed instruction are discussed. The functions of the NCCBMI are described.…

Reports a study to determine the relationship between computer assisted aural drill time and achievement in musical interval identification, to determine the effect of computer assisted aural drill on attitude toward the study of aural music theory, and to determine the effect of previous keyboard experience on achievement. (RAO)

Discusses the need for quick access to stored musical sounds for effective music learning, and describes random access audio hardware designed for use with the PLATO system. Examples are presented and five pedogogical principles derived are discussed. (Author/RAO)

A questionnaire, sent to each of the 139 members of the National Consortium for Computer-Based Music Instruction identifying the systems, terminals, and peripheral equipment available to them and discussing their future hardware needs, is reviewed. (RAO)

Discusses the development of computer-assisted music instruction at Ohio State University and describes a courseware development system for the Apple Macintosh microcomputer that facilitates the creation of sophisticated computer-assisted music instruction programs. Walter Hewlett's pitch representation system is described, structured programing…

Presents a hypothetical instructional dialogue which illustrates the vocabulary, syntax, and style of Terrapin Music Logo, and shows how that dialect might be used to explore the concept of repetition in musical form. The educational philosophy of Logo is examined, and computer-aided discovery learning in music theory is illustrated. (eight…

Summarizes an experiment carried out in 1980 with students enrolled in a music theory course for nonmusic majors. Results indicated that competency-based techniques for drill and practice, used by the experimental group on the PLATO system, were more effective than traditional assignments used by the control group. (EAO)