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Do Curved Reaching Movements Emerge from Competing Perceptions? A Reply to van der Wel et al. (2009)
Spivey, Michael J.; Dale, Rick; Knoblich, Guenther; Grosjean, Marc – Journal of Experimental Psychology: Human Perception and Performance, 2010
Spivey, Grosjean, and Knoblich (2005) reported smoothly curved reaching movements, via computer-mouse tracking, which suggested a continuously evolving flow of distributed lexical activation patterns into motor movement during a phonological competitor task. For example, when instructed to click the "candy," participants' mouse-cursor trajectories…
Descriptors: Foreign Countries, Language Research, Language Processing, Phonology
Duyck, Wouter; Anseel, Frederik; Szmalec, Arnaud; Mestdagh, Pascal; Tavernier, Antoine; Hartsuiker, Robert J. – Journal of Experimental Psychology: Human Perception and Performance, 2008
In current cognitive psychology, naming latencies are commonly measured by electronic voice keys that detect when sound exceeds a certain amplitude threshold. However, recent research (e.g., K. Rastle & M. H. Davis, 2002) has shown that these devices are particularly inaccurate in precisely detecting acoustic onsets. In this article, the authors…
Descriptors: Reaction Time, Acoustics, Cognitive Psychology, Auditory Perception
Santangelo, Valerio; Olivetti Belardinelli, Marta; Spence, Charles – Journal of Experimental Psychology: Human Perception and Performance, 2007
Two experiments were conducted to examine whether abrupt onsets are capable of reflexively capturing attention when they occur outside the current focus of spatial attention, as would be expected if exogenous orienting operates in a truly automatic fashion. The authors established a highly focused attentional state by means of the central…
Descriptors: Prompting, Visual Perception, Auditory Perception, Attention Control
Deutsch, Diana – Journal of Experimental Psychology: Human Perception and Performance, 2004
The octave illusion (D. Deutsch, 1974) occurs when 2 tones separated by an octave are alternated repeatedly, such that when the right ear receives the high tone, the left ear receives the low tone, and vice versa. Most subjects in the original study reported hearing a single tone that alternated from ear to ear, whose pitch also alternated from…
Descriptors: Human Body, Auditory Perception, Hearing (Physiology)
Schmuckler, Mark A.; Tomovski, Robert – Journal of Experimental Psychology: Human Perception and Performance, 2005
Perceiving the tonality of a musical passage is a fundamental aspect of the experience of hearing music. Models for determining tonality have thus occupied a central place in music cognition research. Three experiments investigated 1 well-known model of tonal determination: the Krumhansl-Schmuckler key-finding algorithm. In Experiment 1,…
Descriptors: Auditory Perception, Music, Cognitive Processes, Measures (Individuals)
Holmes, Stephen D.; Roberts, Brian – Journal of Experimental Psychology: Human Perception and Performance, 2006
A harmonic that begins before the other harmonics contributes less than they do to vowel quality. This reduction can be partly reversed by accompanying the leading portion with a captor tone. This effect is usually interpreted as reflecting perceptual grouping of the captor with the leading portion. Instead, it has recently been proposed that the…
Descriptors: Inhibition, Cues, Auditory Perception, Vowels
Dyson, Benjamin J.; Quinlan, Philip T. – Journal of Experimental Psychology: Human Perception and Performance, 2004
In 3 experiments, the authors tested performance in simple tone matching and classification tasks. Each tone was defined on location and frequency dimensions. In the first 2 experiments, participants completed a same-different matching task on the basis of one of these dimensions while attempting to ignore irrelevant variation in the other…
Descriptors: Hearing (Physiology), Auditory Stimuli, Coding, Cognitive Processes