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Russo, Frank A.; Ammirante, Paolo; Fels, Deborah I. – Journal of Experimental Psychology: Human Perception and Performance, 2012
Five experiments investigated the ability to discriminate between musical timbres based on vibrotactile stimulation alone. Participants made same/different judgments on pairs of complex waveforms presented sequentially to the back through voice coils embedded in a conforming chair. Discrimination between cello, piano, and trombone tones matched…
Descriptors: Foreign Countries, Auditory Perception, Musical Instruments, Auditory Stimuli
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London, Sam; Bishop, Christopher W.; Miller, Lee M. – Journal of Experimental Psychology: Human Perception and Performance, 2012
Communication and navigation in real environments rely heavily on the ability to distinguish objects in acoustic space. However, auditory spatial information is often corrupted by conflicting cues and noise such as acoustic reflections. Fortunately the brain can apply mechanisms at multiple levels to emphasize target information and mitigate such…
Descriptors: Spatial Ability, Auditory Perception, Attention, Acoustics
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Maier, Joost X.; Di Luca, Massimiliano; Noppeney, Uta – Journal of Experimental Psychology: Human Perception and Performance, 2011
Combining information from the visual and auditory senses can greatly enhance intelligibility of natural speech. Integration of audiovisual speech signals is robust even when temporal offsets are present between the component signals. In the present study, we characterized the temporal integration window for speech and nonspeech stimuli with…
Descriptors: Visual Stimuli, Articulation (Speech), Auditory Perception, Auditory Stimuli
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Aksentijevic, Aleksandar; Barber, Paul J.; Elliott, Mark A. – Journal of Experimental Psychology: Human Perception and Performance, 2011
Advances in auditory research suggest that gamma-band synchronization of frequency-specific cortical loci could be responsible for the integration of pure tones (harmonics) into harmonic complex tones. Thus far, evidence for such a mechanism has been revealed in neurophysiological studies, with little corroborative psychophysical evidence. In six…
Descriptors: Acoustics, Reaction Time, Priming, Auditory Perception
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Snyder, Joel S.; Weintraub, David M. – Journal of Experimental Psychology: Human Perception and Performance, 2011
During repeating sequences of low (A) and high (B) tones, perception of two separate streams ("streaming") increases with greater frequency separation ([delta]f) between the A and B tones; in contrast, a prior context with large [delta]f results in less streaming during a subsequent test pattern. The purpose of the present study was to…
Descriptors: Auditory Perception, Context Effect, Acoustics, Adults
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Chen, Yi-Chuan; Spence, Charles – Journal of Experimental Psychology: Human Perception and Performance, 2011
We propose a multisensory framework based on Glaser and Glaser's (1989) general reading-naming interference model to account for the semantic priming effect by naturalistic sounds and spoken words on visual picture sensitivity. Four experiments were designed to investigate two key issues: First, can auditory stimuli enhance visual sensitivity when…
Descriptors: Priming, Auditory Stimuli, Acoustics, Speech
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McDonald, John J.; Green, Jessica J.; Jannati, Ali; Di Lollo, Vincent – Journal of Experimental Psychology: Human Perception and Performance, 2013
The presence of a salient distractor interferes with visual search. According to the salience-driven selection hypothesis, this interference is because of an initial deployment of attention to the distractor. Three event-related potential (ERP) findings have been regarded as evidence for this hypothesis: (a) salient distractors were found to…
Descriptors: Evidence, Attention Control, Visual Perception, Theories
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Leung, Ada W. S.; Jolicoeur, Pierre; Vachon, Francois; Alain, Claude – Journal of Experimental Psychology: Human Perception and Performance, 2011
Since the introduction of the concept of auditory scene analysis, there has been a paucity of work focusing on the theoretical explanation of how attention is allocated within a complex auditory scene. Here we examined signal detection in situations that promote either the fusion of tonal elements into a single sound object or the segregation of a…
Descriptors: Acoustics, Auditory Perception, Attention, Context Effect
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Gygi, Brian; Shafiro, Valeriy – Journal of Experimental Psychology: Human Perception and Performance, 2011
The effect of context on the identification of common environmental sounds (e.g., dogs barking or cars honking) was tested by embedding them in familiar auditory background scenes (street ambience, restaurants). Initial results with subjects trained on both the scenes and the sounds to be identified showed a significant advantage of about five…
Descriptors: Acoustics, Auditory Perception, Context Effect, Identification
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Jiang, Jintao; Bernstein, Lynne E. – Journal of Experimental Psychology: Human Perception and Performance, 2011
When the auditory and visual components of spoken audiovisual nonsense syllables are mismatched, perceivers produce four different types of perceptual responses, auditory correct, visual correct, fusion (the so-called "McGurk effect"), and combination (i.e., two consonants are reported). Here, quantitative measures were developed to account for…
Descriptors: Video Technology, Acoustics, Syllables, Auditory Stimuli
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Haywood, Nicholas R.; Roberts, Brian – Journal of Experimental Psychology: Human Perception and Performance, 2011
A sudden change applied to a single component can cause its segregation from an ongoing complex tone as a pure-tone-like percept. Three experiments examined whether such pure-tone-like percepts are organized into streams by extending the research of Bregman and Rudnicky (1975). Those authors found that listeners struggled to identify the…
Descriptors: Auditory Perception, Change, Acoustics, Listening
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Demany, Laurent; Semal, Catherine; Pressnitzer, Daniel – Journal of Experimental Psychology: Human Perception and Performance, 2011
Listeners had to compare, with respect to pitch (frequency), a pure tone (T) to a combination of pure tones presented subsequently (C). The elements of C were either synchronous, and therefore difficult to hear out individually, or asynchronous and therefore easier to hear out individually. In the "present/absent" condition, listeners had to judge…
Descriptors: Experimental Psychology, Auditory Stimuli, Auditory Perception, Auditory Discrimination
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Maidment, David W.; Macken, William J. – Journal of Experimental Psychology: Human Perception and Performance, 2012
Classical cognitive accounts of verbal short-term memory (STM) invoke an abstract, phonological level of representation which, although it may be derived differently via different modalities, is itself amodal. Key evidence for this view is that serial recall of phonologically similar verbal items (e.g., the letter sounds "b",…
Descriptors: Short Term Memory, Recall (Psychology), Acoustics, Memory
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Keetels, Mirjam; Vroomen, Jean – Journal of Experimental Psychology: Human Perception and Performance, 2011
The authors examined the effects of a task-irrelevant sound on visual processing. Participants were presented with revolving clocks at or around central fixation and reported the hand position of a target clock at the time an exogenous cue (1 clock turning red) or an endogenous cue (a line pointing toward 1 of the clocks) was presented. A…
Descriptors: Cues, Visual Perception, Cognitive Processes, Acoustics
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Olsen, Kirk N.; Stevens, Catherine J.; Tardieu, Julien – Journal of Experimental Psychology: Human Perception and Performance, 2010
Three experiments investigate psychological, methodological, and domain-specific characteristics of loudness change in response to sounds that continuously increase in intensity (up-ramps), relative to sounds that decrease (down-ramps). Timbre (vowel, violin), layer (monotone, chord), and duration (1.8 s, 3.6 s) were manipulated in Experiment 1.…
Descriptors: Acoustics, Change, Auditory Perception, Music
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