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Creel, Sarah C. – Journal of Experimental Psychology: Human Perception and Performance, 2011
Prior knowledge shapes our experiences, but which prior knowledge shapes which experiences? This question is addressed in the domain of music perception. Three experiments were used to determine whether listeners activate specific musical memories during music listening. Each experiment provided listeners with one of two musical contexts that was…
Descriptors: Music, Prior Learning, Experiments, Experimental Psychology
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Jannati, Ali; Spalek, Thomas M.; Lagroix, Hayley E. P.; Di Lollo, Vincent – Journal of Experimental Psychology: Human Perception and Performance, 2012
Identification of the second of two targets (T2) is impaired when presented shortly after the first (T1). This "attentional blink" (AB) is thought to arise from a delay in T2 processing during which T2 is vulnerable to masking. Conventional studies have measured T2 accuracy which is constrained by the 100% ceiling. We avoided this problem by using…
Descriptors: Eye Movements, Attention, Identification, Cognitive Processes
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Gondan, Matthias; Blurton, Steven P.; Hughes, Flavia; Greenlee, Mark W. – Journal of Experimental Psychology: Human Perception and Performance, 2011
When participants respond to auditory and visual stimuli, responses to audiovisual stimuli are substantially faster than to unimodal stimuli (redundant signals effect, RSE). In such tasks, the RSE is usually higher than probability summation predicts, suggestive of specific integration mechanisms underlying the RSE. We investigated the role of…
Descriptors: Evidence, Visual Stimuli, Attention, Probability
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Hartcher-O'Brien, Jessica; Alais, David – Journal of Experimental Psychology: Human Perception and Performance, 2011
This study examines how audiovisual signals are combined in time for a temporal analogue of the ventriloquist effect in a purely temporal context, that is, no spatial grounding of signals or other spatial facilitation. Observers were presented with two successive intervals, each defined by a 1250-ms tone, and indicated in which interval a brief…
Descriptors: Intervals, Computation, Observation, Research Methodology
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Chen, Yi-Chuan; Spence, Charles – Journal of Experimental Psychology: Human Perception and Performance, 2011
We report a series of experiments designed to demonstrate that the presentation of a sound can facilitate the identification of a concomitantly presented visual target letter in the backward masking paradigm. Two visual letters, serving as the target and its mask, were presented successively at various interstimulus intervals (ISIs). The results…
Descriptors: Auditory Stimuli, Stimulation, Intervals, Models
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McAnally, Ken I.; Martin, Russell L.; Eramudugolla, Ranmalee; Stuart, Geoffrey W.; Irvine, Dexter R. F.; Mattingley, Jason B. – Journal of Experimental Psychology: Human Perception and Performance, 2010
Listeners can be "deaf" to a substantial change in a scene comprising multiple auditory objects unless their attention has been directed to the changed object. It is unclear whether auditory change detection relies on identification of the objects in pre- and post-change scenes. We compared the rates at which listeners correctly identify changed…
Descriptors: School Restructuring, Administrator Role, Identification, Experimental Psychology
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Getzmann, Stephan – Journal of Experimental Psychology: Human Perception and Performance, 2009
Sensory saltation is a spatiotemporal illusion in which the judged positions of stimuli are shifted toward subsequent stimuli that follow closely in time. So far, studies on saltation in the auditory domain have usually employed subjective rating techniques, making it difficult to exactly quantify the extent of saltation. In this study, temporal…
Descriptors: Stimuli, Models, Auditory Perception, Experimental Psychology
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McKeown, Denis; Wellsted, David – Journal of Experimental Psychology: Human Perception and Performance, 2009
Psychophysical studies are reported examining how the context of recent auditory stimulation may modulate the processing of new sounds. The question posed is how recent tone stimulation may affect ongoing performance in a discrimination task. In the task, two complex sounds occurred in successive intervals. A single target component of one complex…
Descriptors: Auditory Stimuli, Stimulation, Intervals, Memory
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Smits, Roel; Sereno, Joan; Jongman, Allard – Journal of Experimental Psychology: Human Perception and Performance, 2006
The authors conducted 4 experiments to test the decision-bound, prototype, and distribution theories for the categorization of sounds. They used as stimuli sounds varying in either resonance frequency or duration. They created different experimental conditions by varying the variance and overlap of 2 stimulus distributions used in a training phase…
Descriptors: Classification, Auditory Stimuli, Novelty (Stimulus Dimension), Models
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Cuddy, Lola L.; And Others – Journal of Experimental Psychology: Human Perception and Performance, 1981
Three experiments studied the perception of tone sequences. Ratings of perceived structure and ease of recognition in transposition were both influenced by harmonic progression, the contour, and the excursion or repetition pattern within the sequence. Results are described in terms of the abstraction and analysis of levels of pitch relations.…
Descriptors: Auditory Discrimination, Auditory Perception, Auditory Stimuli, Auditory Training
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Krueger, Lester E. – Journal of Experimental Psychology: Human Perception and Performance, 1979
A uniprocessor, unidimensional model, based on Krueger's noisy-operator theory, was fitted satisfactorily to data from four published studies of tone comparison. The model predicts faster response time on different judgments because of heterogeneity of difference. (Author/CP)
Descriptors: Auditory Discrimination, Auditory Perception, Auditory Stimuli, Cognitive Processes