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Bhatara, Anjali; Tirovolas, Anna K.; Duan, Lilu Marie; Levy, Bianca; Levitin, Daniel J. – Journal of Experimental Psychology: Human Perception and Performance, 2011
Expression in musical performance is largely communicated by the "manner" in which a piece is played; interpretive aspects that supplement the written score. In piano performance, timing and amplitude are the principal parameters the performer can vary. We examined the way in which such variation serves to communicate emotion by…
Descriptors: Cues, Emotional Response, Musical Instruments, Acoustics
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Nummenmaa, Lauri; Hyona, Jukka; Calvo, Manuel G. – Journal of Experimental Psychology: Human Perception and Performance, 2009
The authors assessed whether parafoveal perception of emotional content influences saccade programming. In Experiment 1, paired emotional and neutral scenes were presented to parafoveal vision. Participants performed voluntary saccades toward either of the scenes according to an imperative signal (color cue). Saccadic reaction times were faster…
Descriptors: Cues, Reaction Time, Eye Movements, Attention