Examines several pieces of writing (class assignments as well as writing done outside of school) by the author's 10-year-old daughter. Notes the different kinds of learning promoted in them, and maintains that school writing assignments should be as "real" as possible. (SR)

Reviews briefly how imagery is integral to knowing and thinking, and how perception and reason do indeed reside under the same blanket. Details two college writing assignments that require writers to engage in "imaginal processes" in proportion to their verbal process. (SR)

Examines the writing assignments and instruction in 30 introductory literature textbooks. Finds three types of writing assignments: the "ever popular" critical paper, the expressive paper, and the literary paper. Presents excerpts of student papers to demonstrate that writing on expressive and literary topics can help students see the…

Suggests that awkwardness in writing (like good writing) is an interactive nexus of writer, text, and reader and is a matter of subjective judgment. Argues that awkwardness in student writing is a positive sign of a writer's grappling with language complexity. Concludes that awkwardness is rhetorically motivated and therefore complex but…

Reports on a study that examines the planning and revising of ninth-grade coauthors to determine how collaborative writing socializes and impacts the writing process. Finds that the students' writing processes tended to resemble those of more expert writers--planning, composing, and revising collapsed into a truly recursive process. (TB)

Discusses approaches used in composition classrooms that address the needs of students living in an increasingly multicultural society. Describes strategies that introduce students to the academic discourse community, and those that emphasize the students' own experiences. Discusses the use of textbooks that emphasize multiculturalism in their…

Compares two advertising assignments to demonstrate how different approaches to audience radically affect students' critical understanding of popular media texts. Argues that "audience" needs to be present in writing assignments as a cultural experience rather than a merely static rhetorical category. (TB)

Argues that writing teachers must create an organic curriculum with the language of home and community at its core. Suggests that writing teachers help students examine language features, dialects, and language attitudes in their communities. Notes that such student inquiry influences class discussions and can reshape attitudes toward students'…

Discusses an alternative to the conventional close reading of a literary work in which students take on the role of any member of a film crew (director, screenwriter, filmscorer, etc.) and communicate how the scene would best be transferred to the screen. Notes that the activity cultivates critical analysis and serves as a springboard for personal…

Describes an assignment designed to dispel prospective English teachers' dichotomous ideas about language ("right" or "wrong"); gain a sense that more than one dialect could be accepted; and understand that the variations from the handbook rules ("errors") might even be rhetorically based. (TB)