The avant-garde film is defined, its audience and uses are discussed, and a listing of films and film-makers for a basic public library collection is provided. (MBR)

An historical discussion of three types of film--teaching, information, and entertainment--is presented. The numbers of films in each category, especially the last, which includes the animated, unnarrated, iconographic, underground, and avant-garde, has grown substantially. Libraries have quickly accepted all except the revolutionary philosophies…

The developmentally, physically, and psychiatrically disabled who must cope with institutionalization, disability, and their humanity, are the people whom the institution library serves. The librarian faces the challenge of professionalism, creativity, and awareness to care for and about these people. (Author/MBR)

Aspects of providing such services are described, including (1) published standards; (2) outreach programs to meet specific needs of the deaf, elderly, and disadvantaged; (3) adaptation of equipment to meet special needs of the elderly; and (4) examples of programs integrated into the structure of public libraries of varying size. (MBR)

A definition, and a history of the role and functions of state library development agencies since the 1890's are presented. The remaining articles in this issue, which deal with various aspects of the same subject, are summarized. (MBR)

Library film services for the hearing-impaired are discussed. Captioned and nonverbal films are defined, and a discussion of changing attitudes that resulted in integrated showing of these films is presented. Pointers on how to integrate, and sources of information on films for the hearing-impaired are also included. (MBR)