Discusses the integration of aural, visual, tactile, and kinesthetic modalities into teaching to help at-risk students retain lessons. Suggests combining the "Learning to Read through the Arts" approach with sequential arts instruction. Recommends musical pieces to be used while students listen, discuss, and record their analysis of the…

Describes a middle school program in which students create and produce an original opera. Describes the interdisciplinary learning acquired as students created music, dialog, sets, and costumes. Contends that the project was an exciting and rewarding experience for students and teachers. (CFR)

Describes the production of operas in a second-grade classroom. Explains how the project requires an interdisciplinary approach to learning. Contends that elementary, secondary, and even higher education students would benefit from this activity. (CFR)

Describes a school districtwide program in which secondary students produced operas as part of the regular and extracurricular curricula. Details events dating from 1985 illustrating the growth and development of the program. Contends that the program was an intellectually rewarding experience and an excellent public relations activity for the…

Profiles the career and contributions of music educator, Satis Coleman. Coleman had a profound effect on music education from the 1920s through the 1940s. She combined experiential learning with ethnomusical resources to create multicultural education and interdisciplinary instruction before either of these terms were known. (MJP)