This article offers music educators ideas for supporting English learners in music classrooms. Music teachers across all grade levels work with English Learners, a diverse group of students with varied cultural and linguistic backgrounds. In the classroom, planning specific instructional supports can increase English Learners' participation and…

The National Coalition for Core Arts Standards released standards for music education in 2014. These standards are guided by artistic processes and measured by performance standards specific to content areas and grade levels. As school districts in the United States adopt the Core Arts Standards for their music programs, it is imperative that…

Recognizing that music teachers may struggle to implement songwriting activities in a classroom, and that iconic notation provides an opportunity to increase access to school music for all students, the purpose of this article is to share one model of songwriting activities in a music technology class using chord diagrams, beat grids, and keyboard…

Many K-12 teachers face hurdles when it comes to running a Modern Band, including the pedagogical challenges of facilitating large scale ensembles with unfamiliar repertoire and instruments. Approximation and scaffolding are two important tools teachers can use to help learners thrive in this environment. This article uses music examples to…

Classroom management is commonly understood as the structures and procedures that establish and reinforce a productive learning environment. However, traditional conceptualizations of classroom management are rife with culturally embedded norms, assumptions, power structures, and other roadblocks to a healthy classroom environment for all…

To increase equity in music education, teachers can strive to know each student as a whole child, proactively remove barriers to learning, and seek to honor students' multifaceted and intersectional identities. In this article, we first define intersectionality and examine demographics in music education. Then, we summarize three asset-based…

This article presents an approach to music listening that creates spaces for critical literacy, inviting music educators to consider critical literacy practices when listening and responding to music. We begin with a discussion of critical literacy pedagogy in the context of music education followed by a sample flexible lesson plan that uses…

Improvisation is an ideal way to develop musical creativity in ensemble settings. This article describes two prominent theoretical frameworks related to improvisation. Next, based on research with developing and expert improvisers, it discusses how to sequence improvisatory activities so that students feel accomplished at every step. Finally, the…

Even in states with K-12 music licensure, not all music education students take a course in elementary music methods, and even fewer take a course that specifically addresses early childhood music instruction. In this article, a music teacher educator and a self-described "band guy," who initially struggled to work with young children,…

Ensemble directors have a special interest in helping students learn to practice effectively. Practice is also an essential component of musical development. Music educators need to both teach effective practice strategies and guide students toward meaningful, thoughtful practice. Metacognition strategies are one way to accomplish this. Current…

Presents a numeric notation system for teaching beginning guitar fingering to children or adults who cannot read music. (SJL)

Suggests the use of ukuleles as instruments to teach music skills and concepts in general music classes. Describes the history, development, and structure of the ukulele. Includes diagrams of an instrument, tuning, C chord tablature, and rhythmic strum. Suggests the ukulele's use in teacher training as is required at the University of Hawaii. (DK)

Private instrumental teachers can motivate students by encouraging them to talk openly about problems, keeping their music interesting, giving them a challenge, rewarding them for a job well done, and keeping expectations high. (AM)

Preparing students for a trip to a symphony concert should include a discussion of the traditions and customs of the symphony, information about the music that will be heard, a description of the physical environment in which the concert will take place, and a discussion of appropriate audience behavior. (RM)

The president of the Music Educators National Conference (MENC) argues that general music can be the vital center of the music program if educators reevaluate its objectives and emphasize music instead of other things. This article is derived from a speech given at the MENC Inservice Conference in Minneapolis. (Author/SJL)