Discusses how the notion of genre has recently been reconceived by theorists. Questions whether the explicit teaching of genre features and rules enhance the acquisition of such genres by students. Provides tentative responses to this question. Argues for more focused research of this question. (HB)

Responds to Aviva Freedman's article on explicit instruction of genre in the same issue of the journal. Reviews Freedman's argument. Disagrees with Freedman's conclusion that explicit instruction is not useful. Argues that research indicates that explicit instruction of genres can be beneficial to students. (HB)

Responds to two critiques of her own article published in the same issue of the journal. (HB)

Responds to Aviva Freedman's article on explicit instruction of genre in the same issue of the journal. Questions Freedman's conclusions by asking how "explicit instruction" and "genre" should be defined. Considers how craft, as opposed to a body of knowledge, can be learned. (HB)

Reports on a study of genre and register that reaches the following conclusions concerning the teaching of language and literature: (1) teaching should concentrate on the move structure of genres and the concomitant move registers rather than the general register of a genre as a whole; and (2) the teaching of reading and writing should be…

Describes two chief alternative models of English instruction, critical theory, and constructivism or naturalistic inquiry. Discusses the functions of genre in disciplinary communities. Argues that naturalistic inquiry does not constitute a comprehensive corrective to the legacy of positivism. (HB)

Considers the written genres of a group of six children in a first-grade classroom. Reveals the children to be active participants in the social dialogue of their classrooms. Outlines their use of genres and describes where these genres may have come from. (HB)