Describes an art project that involved blind secondary students in producing a large piece of sculpture for the terrace of their school. (RM)

An art project which involved secondary students in painting cars for homecoming is described. Tempera paint was used because it washes off. (RM)

A project which involved 11th- and 12th-grade art students in creating a "Jackson Pollock type" lyrical action painting is described. As a result of the project, the students gained a freedom of expression which was evident in their subsequent art projects and a tolerance toward twentieth-century art. (RM)

Eighth-grade students were asked to produce two faces as a sculptural self-portrait series. The faces were to show a change in mood through modifications of expression. After construction, the facial shells were to be painted with a design which would both enhance and unite the expressions. (RM)

Because of concern about the preservation of the historic character of Stamford (Connecticut), children in a pilot program at an elementary school learned about neighborhood history, sketched houses, researched houses which had been torn down and drew and constructed replicas of them, and learned about renovation and period interior design. (IS)

Using the rattles of Native American cultures as inspiration, students used pinching, coiling, and slab and molding techniques to form the bodies of rattles and clay pellets for sound. Surface decoration included glazed and unglazed areas as well as added handles, feathers, and leather. (IS)

An art project that involved middle school students in picking a story, making puppet characters, and filming a television show is described. The students also made television commercials. (RM)

This art project involved fifth graders in producing one-minute television commercials. The subject matter for the commercials was determined by school events. The commercials were shown several weeks before the special event they advertised. (RM)

Students learned to produce pottery using the coiling and surface decoration techniques of the Pueblo peoples of the American Southwest. In doing so they learned about working within the aesthetic confines of an unfamiliar culture. The history of Southwestern pottery is also covered briefly. (IS)