Discusses how film offers a vehicle for observation and imitation, providing writers with a more accurate image of how they perform. Refers to three films: "Before the First Word", "Telling an Old Story", and "Pieces of a Puzzle" that have become the basis for insightful and fruitful discussions about writing. (JK)

Claims that writing logs constitute an effective teaching tool in basic college writing courses. Discusses one teacher's success using writing logs to assist the development of students' freewriting skills. Includes sample entries revealing students' comments and progress throughout the term and documenting the teacher's response to these…

Claims that self-evaluation instruments strengthen students' ability to evaluate their own writing and improve writing instruction. Argues that self-evaluation exercises should (1) help students evaluate their writing, (2) demystify teachers' grades, (3) encourage students' awareness as writers, (4) require written responses from student, and (5)…

Explores the use of film in the instruction of remedial writing. Suggests creating exemplification essays approaching but not producing a filmic screenplay by incorporating narrative and technical cinematic techniques (shooting script terms) and conventions of visualization to produce both a piece of "exposition" and an act of…

Presents a theoretical model of the writing process and suggests having students create a picture collage as an introduction to the various roles and stages in the writing process. (HTH)

Investigates the implications of conceiving writing-as-performance. Claims that public speaking compares closely with a writing-as-performance course. Focuses on students' perception of themselves as writers and of their audience and presents several analogies comparing writing with other performance activities. (JD)

Proposes that teachers use their own writing as a teaching tool. Discusses both the left-brain logical, rational approach and the right-brain intuitive approach to invention and states that in composing their own methods and materials, instructors can stress both patterns of creativity by illustrating how each complements the other. (EL)