The third goal of Zen practice, helping others achieve enlightenment, suggests that teachers should help students learn about their own composing practices and histories as part of their instruction, but they cannot help others until they learn to help themselves by reflecting on their own processes and histories, becoming enlightened, and…

Almost all of the author's community college students feel self-conscious about their vocabulary. She thinks that their resistance to expanding their vocabulary has many tangled roots: sometimes the students seem nervous about what they leave behind as they notch their vocabulary up to a more formal, college level. This article discusses how the…

Some teaching strategies grow out of the curricula educators inherit or develop through professional reading; others originate in the aromatic humus of their autobiographies. This article presents a proposal that has its origins in the latter. The author recognized that what delights her in prose or poetry is the figurative language a writer uses…

In this essay, the author describes her own attempt at incorporating Web 2.0 technology into her teaching: a wiki project that she used in her English as a second language (ESL) composition course. The theme she traces throughout the rest of this essay is the wiki's ability (or inability) to make "connections" of various kinds. Like any text, the…

Because Dominique (or D-Mon, as he liked to be called) had drill before class, he would sometimes come in late in the author's class, his army boots silently moving across the tile as though he were trying to sneak by a sentry. The army fatigues that he wore were supposed to help him blend into a desert landscape, a tan-and-brown world of sand. In…

At the beginning of each school year, the Languages and Humanities Division at Chandler-Gilbert Community College (CGCC) meets to discuss first-year composition matters. Faculty leave the workshop renewed by the collaboration and buoyed by the promise and potential of a new semester. Yet, when classes actually begin, faculty may find that they are…

Describes a writing assignment (designed as an alternative to a traditional literary analysis paper) for a sophomore-level introduction to short story course, in which students assemble their own thematic anthology of short stories with introduction, headnotes, and annotated bibliography. (SR)

Discusses the problems that teachers face in dealing with developmental writers, including (1) why they are academically disadvantaged, (2) where to begin instruction, (3) how to determine assignments, and (4) how to evaluate their progress. (JD)

Argues that basic writing students need incremental assignment sequences to experience success in writing and to develop their abilities to write about abstract concepts. Describes a four-part sequence of writing assignments moving from observing to narrowing to generalizing to theorizing. (RS)

Presents teaching tips for (1) generating titles as a prewriting activity; (2) having students write a biography of a classmate; (3) asking students to determine scenarios for their business communication documents; (4) using interviewing as a method of primary research; and (5) sequencing writing assignments to help students clarify their…

Argues that writing parodies of poetry is a productive, nonthreatening introduction to the creative effort of poem making. Provides several suggestions that may help in the parody-writing process. (RS)

Asserts that using cartoons to generate explanations in writing can be an effective assignment. (PRA)

Offers five tips from writing teachers on writing activities that work well in their classrooms. (SR)

Discusses a letter-writing assignment in which students write five letters over the course of the semester to anyone they wish about material they read in their U.S. literature class. Describes how the assignment elicited writing in which the students were personally invested, leading to their greater involvement in the class as a whole. (SR)

Advocates having students stage drama, especially Elizabethan, to discover the production values that add meaning to the text. (CRH)