In this article Sophie Harley-McKeown identifies and addresses her Year 12 students' blind spot over agentive explanation. Noticing that the examination board to which she teaches uses 'motivations' rather than 'aims' prompted her to consider whether her students really knew what that meant. Finding that her students' causal explanations tended to…

Alex Benger asks whether the mode of enquiry adopted by cultural historians, the construction of webs of past meaning from past perspectives, is underexplored in school history. Benger used a cultural history approach in his building of an enquiry for Year 9 around one man's experience of the First World War. Here he examines his pupils' efforts…

Determined to do justice to the complexity of the seventeenth century, as a messy but crucial period in British history, and to develop their pupils' disciplinary understanding of how and why interpretations of the past are constructed, Dan Keates and his department set out to exploit the rich seam of interpretations of Cromwell. The quest to…

Inspired by the work of the social and cultural historian Tim Cole, Stuart Farley decided to look again at the way he teaches the Holocaust. He wanted to focus on the geographical concept of place as a way of enabling his Year 9 students to build far more diverse narratives, which took full account of the chronological diversity of people's…

Jess Landy's desire to introduce her pupils to a more complex narrative of the American West led her to the life story and work of a remarkable individual, George Catlin. In this article she shows how she used this unusual micro-narrative in order to challenge pupils' ideas not just about the bigger narrative of which it is a part, but about the…

An article on scripted drama might seem an unlikely choice for an edition devoted to getting students talking. Surely the point about a script is that the words used are chosen and prescribed by others. However, the examples presented here by Helen Snelson, Ruth Lingard and Kate Brennan demonstrate how effectively a well-crafted script can serve…

What should we do with our brightest and best? Neal Watkin and Johannes Ahrenfelt suggest an enquiry for a very high ability Year 8 group which is both challenging and genuinely historical. The enquiry itself has cross-curricular elements within its historical framework: it draws on geography, sociology and citizenship. This should not distract us…

In two, linked articles, appearing in this and the next edition, Maria Osowiecki shares an account of a five-lesson enquiry, based on the concept of historical significance (National Curriculum Key Element 2e) for mixed ability Year 8. She wanted to experiment with an array of creative teaching techniques that would appeal to a wide range of…

Several articles in previous editions of "Teaching History" have touched on the themes of cross curricularity, Assessment for Learning and the most able. Tony McConnell and Mandy Monaghan bring these themes together in describing how the English and history departments in their school have taken advantage of a natural area of overlap to…