Presents a lesson plan for keyboard instruction excerpted from "Strategies for Teaching Middle-Level and High School Keyboard" (compiled by Martha Hilley and Tommie Pardue. Reston, VA: Music Educators National Conference, 1996). Provides objectives, materials, required background knowledge, procedures, evaluation indicators, and…

Recommends commissioning new works as a challenging and motivating learning experience for high school and college bands. Includes several guidelines for negotiating costs and performance rights with the composer, as well as other technical details. Discusses specific problems arising from this arrangement and possible solutions. (MJP)

Provides guidelines to assist band directors in teaching beginning drummers. Includes auditioning prospective drummers and using an instructional method that has mallet and snare drum techniques taught concurrently in one book. Observes that by devoting time and effort to percussionist players, directors can eliminate "drummer syndrome"…

Presents three lesson plans designed to work in conjunction with a live broadcast of the New York Philharmonic (may be available on videotape). The activities include identifying influences and components of works by Dvorak and Tchaikovsky. Includes a roster of the New York Philharmonic along with background material. (MJP)

Maintains that the ability and experience of improvisation is an essential component in young musicians' education. Discusses one teacher's trial-and-error efforts in introducing improvisational exercises into her students classical training. Includes a list of resources and representative musical examples. (MJP)

Provides some tips on jazz instruction for the beginning music educator who may not have had much experience in that field. Specifically recommends teaching guide tones, the root, third, and seventh chords, as an invaluable aid to jazz improvisation. Includes musical notation showing guide tones for two jazz standards. (MJP)

Divides musical composition selection for student orchestras into two categories, teaching repertoire and concert repertoire. Provides a number of helpful hints and criteria for selecting both. Includes "Ten Terrific Titles,""Super String Selections," a list of premiere selections for grades two through six, and a list of selected resources. (MJP)

Addresses the age-old problem of getting students to play in tune and offers suggestions to correct this problem. Outlines three easy steps: (1) make students aware of existing problems, (2) let students correct these problems, and (3) teach students the idiosyncrasies of their instrument. Includes a list of problem notes. (MJP)

Highlights a variety of strategies and approaches to reinvigorating and expanding high school orchestra programs. Profiles the successful efforts of several teachers. These include adding contemporary material to the concert programs and planning high profile concerts at other locations. (MJP)

Covers a variety of strategies for creating a unique and identifiable choral sound. Provides specific instructions for developing singing in unison and recommends a standing arrangement of soprano, alto, tenor, and bass quartets. Provides other tips for instrumentation, sight reading, and quality rehearsal time. (MJP)

Provides a lesson plan for beginning string students using a basic rhythm from Zimbabwe's Shona people and then building upon that rhythm. Briefly discusses simple yet effective techniques for playing and adapting African music. Includes musical scores, teaching tips, and selected recordings. (MJP)

Presents an interview with Eiji Oue, one of the youngest conductors to ever hold that position with the world famous Minnesota Orchestra. Oue talks about his experiences working with and teaching young people across the United States. He also discusses differences between music instruction in the United States and his native Japan. (MJP)

Recommends incorporating a thorough analysis of popular music into the teaching of music appreciation. Considers moving beyond the traditional approach (chronological progression beginning with the medieval period) to include innovative comparisons of different styles, instruments, and historical periods. Includes suggested strategies, activities,…