Keeping one's self inspired in the music classroom is all about connections. Sometimes educators need to look at what they're doing from a different perspective. Luckily, there's no shortage of ways to revitalize one's classroom approach, and to help the author explores a few, he made use of some connections of his own, turning to five educators…

Teachers might ask students to hum the tuning pitch, chant rhythms and scat articulations, or sing melodies from the repertoire to better understand musical inflection and nuance. In addition, singing can develop skills in music reading and audiation. If students sing out loud before playing a line of music, they are able to prehear the pitches…

Because people today are accustomed to listening to electronic instruments, school music ensembles need to rise to the challenge of reflecting present-day culture by doing a "contemporary makeover". This is all-important if ensembles are to command student respect and attract new members. With a creative mindset and openness to innovation, one can…

Introducing jazz music to elementary and middle school students can open a multitude of creative doors--provided that teachers know how and where to start. This article presents a sample of what Christine Nowmos teaches to her kindergarten-through-fourth-grade classrooms over the course of two months. During January and February each year, she has…

Trained as a classical pianist, Kevin Tison, earned his Bachelor of Music degree at Northwestern State University of Louisiana. He was directing the music ministry at a southern California church when the opportunity arose to kick-start a faltering high school choir program for two hours a day. He taught at Fountain Valley High School in Orange…

The challenges and joys of presenting high school and middle school musicals are myriad--and, due to the many variables involved, often unlike those of choral concerts, band concerts, or just about anything else that one may encounter as a teacher. With so many moving parts, it is easy to feel overwhelmed, especially if one is new to the game. In…

The changing male voice has long been a challenge, not only for students but also for directors who need to find just the right music to help students feel most successful. This article presents the key elements for success in selecting boys' literature: (1) Know the students' voices; (2) Range is everything; (3) Avoid pitches below A for tenors;…

It is the most fundamental aspect of music, yet so many students struggle with rhythm. How does one effectively teach budding young musicians to properly feel and read the rhythms all around them? Eileen Benedict, vocal music specialist at the Edith L. Slocum School in Ronkonkoma, New York, finds it best to start teaching her young students not…

Orff-Schulwerk, or simply Orff, is an approach for teaching music to children that was developed in the early 1920s by the German composer Carl Orff (1895 1982) and his fellow composer Gunild Keetman. The Orff approach encompasses music and movement and is based on activities that come naturally to children: singing, clapping, and dancing. Orff…

According to Jason Paulk, director of choral activities at Eastern New Mexico University, progress is made during those in-between times and that progress magnifies with efficient time spent alone. Paulk is a firm believer in the importance of singers organizing their practice sessions, and he details some effective organization methods, including…

Choosing appropriate music for a school choir can be a daunting task. So much needs to be taken into account--the dictates of the curriculum, the pedagogical goals, the cultural and religious contexts of the students and the community. Juggling all of these needs and influences is crucial to creating a successful, lively performance program, not…

A common challenge for choral teachers is teaching students to listen. Too often, students focus on their own singing and do not hear the other parts around them, thus creating a less unified, even disharmonious sound. Robert Russell, director of choral studies at the University of Southern Maine, has observed that confident singers often sing…

Music teachers are trained to teach music, but the truth is that they teach children. They must consider the whole child in their teaching. To be successful in school and in life, children need literacy skills. Literacy is naturally developed through music. Within a safe, inviting environment with opportunities for play, children learn when they…

Yoga has much to contribute to singing. The main physical disciplines of yoga are strength, flexibility, alignment, body awareness through breath control, and concentration. These basics also constitute the core of good singing. With instruction incorporated into the regular warm-up, one can introduce beginning yoga ideas into choir practice. Yoga…

Teachers who have made "The Star-Spangled Banner" a central part of their students' repertoire have found that students can learn it and take pride in staging this familiar song that even their parents consider too difficult. Many teachers recognize that the first obstacle in teaching the anthem is that students do not know the words or understand…