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Bishop, Barbara Long – Teaching Theatre, 2000
Lists the top ten acting ailments often encountered in student actors, and offers advice to cure these ailments: the split personality, the beauty queen and the leading man, the comedian, the director in training, the moody one, the character-clueless, the loner, the mimic, the stage-frightened, and the opening night artist. (SR)
Descriptors: Acting, Characterization, Secondary Education
Miller, Bruce – Teaching Theatre, 2002
Argues that teachers need to reinforce the idea that the successful actor's first step in the process of finding and developing a character is to understand the script. Includes the script for a 10-minute play, Christopher Graybill's "Go Look." Presents a close study of the script. (RS)
Descriptors: Acting, Characterization, Scripts, Secondary Education
Gershman, Kathleen – Teaching Theatre, 1990
Describes the day-by-day process of a high school drama production. Discusses the play, auditions, set construction, directing, student morale, costuming, blocking, dress rehearsals, performances, and other aspects of the production. (PRA)
Descriptors: Acting, Case Studies, Drama, Dramatics
Renaud, Lissa Tyler – Teaching Theatre, 2003
Presents a series of warm-up stretching exercises for student actors to do in a seated position. (SG)
Descriptors: Acting, Exercise, Higher Education, Psychomotor Skills
Carlisle, Barbara; Drapeau, Don – Teaching Theatre, 1997
Outlines steps in casting a play: the group should choose a piece with the group in mind; people should be shown off to their best advantage; and ageism, sexism, or racism should not enter the casting process. Performance reality should be kept in mind. (PA)
Descriptors: Acting, Drama, Higher Education, Production Techniques
Miller, Bruce – Teaching Theatre, 2003
Note that the exercise, Roll Call, is designed to demonstrate that character is most effectively and reliably created through a careful selection and execution of actions, not by magically inhabiting a character. Concludes that by the end of this sequence of exercises, students should have a better understanding of how character can be created…
Descriptors: Acting, Characterization, Class Activities, Drama
Lasser, Michael – Teaching Theatre, 1999
Laments the narcissism that the author sees in too many contemporary approaches to acting and directing. Argues that actors must focus on the world outside themselves, where the play and the audience most need them to be. (SR)
Descriptors: Acting, Characterization, Drama, Egocentrism
Miller, Bruce – Teaching Theatre, 2000
Describes an exercise for a beginning acting class at the outset of a semester that demonstrates, reiterates, and clarifies some of the fundamental points of acting craft. (SR)
Descriptors: Acting, Characterization, Class Activities, Secondary Education
Miller, Bruce – Teaching Theatre, 1998
Discusses the "mirror game," a classic acting exercise that gets young actors to understand that connecting to their scene partners is a crucial part of acting. Describes the learning opportunities offered by the mirror game, describes how to initiate it in class, and how to add challenges to the exercise. (SR)
Descriptors: Acting, Class Activities, Drama, High Schools
King, Peter – Teaching Theatre, 2002
Describes the "As If" technique, a mnemonic device that reminds actors what the action they are doing means and feels to them personally. Discusses introducing As If to students, the As If "game," and applying it to scripted scenes. (RS)
Descriptors: Acting, Rehearsals (Theater Arts), Secondary Education, Teaching Methods
Miller, Bruce – Teaching Theatre, 1995
Provides the rules for two theater games--Almost Silent Story, and Add an Action. Describes the first as a game in which the instructor reads a story and the students act it out. Describes Add an Action as a game in which a series of actions are performed in sequence. Emphasizes the importance of movement. (PA)
Descriptors: Acting, Educational Games, Higher Education, Secondary Education
Knoedelseder, Kurt H. – Teaching Theatre, 2000
Argues that teachers and directors should teach their students how to audition. Offers tips, explanations, and observations regarding selection of material, preparation, appearance, making contact, and other advice. (SR)
Descriptors: Acting, Class Activities, Higher Education, Secondary Education
Miller, Bruce – Teaching Theatre, 2002
Offer a strategy that can help make the work acting instructors do with their students as they prepare for college auditions as effective as possible. Looks at the process of finding an appropriate monologue. Established some ground rules for preparation and apply them to the monologue's development. Reviews suggestions to help students present…
Descriptors: Acting, Drama, High Schools, Rehearsals (Theater Arts)
Cantor, Jon – Teaching Theatre, 2002
Suggests site-specific theatrical productions can create innovative productions in nontraditional spaces. Discusses the experiences of the author as he directed a site-specific production (Wendy MacLeod's "The Shallow End," set at an indoor pool) and addresses the lessons he learned from it. Includes advice on creating site-specific productions.…
Descriptors: Acting, Audience Awareness, Higher Education, Production Techniques
Miller, Bruce – Teaching Theatre, 1997
Describes "neutral scenes," a dialog exchange for which actors must supply the meaning. Contends the exercise provides young actors the opportunity to use all the basic tools they will need when they progress to more conventional scene work, such as finding conflict, using given circumstances, playing relationships. Advises analyzing the…
Descriptors: Acting, Assignments, Dramatics, Higher Education
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