The provision of the new law that confers a right to terminate transfers and licenses of copyright is discussed, ways in which these rights are exercised and in which the reversionary rights are recaptured and regranted are outlined, and practical and interpretative problems are considered. (LBH)

The regulatory and adjudicative structure of the newly-created Copyright Royalty Tribunal is described and guidelines for its functioning are examined. Problems in data reporting and in the determination of ownership of copyrights of works used by compulsory licensees are among the issues addressed. (LBH)

Three parts of the new copyright law are examined, each of which represents a departure from copyright principle: Section 301, Section 201(e), and the compulsory licensing sections, 111, 115, 116, and 118. Implications in view of the expected proliferation of new media for exploiting copyrighted works are discussed. (LBH)

The new copyright law expressly includes "choreographic works" as subject matter for copyright, but its treatment of choreography has flaws, including the lack of definition and dealing with choreographies created before the act becomes effective. These and other problems are discussed. (LBH)

The types of work that may qualify for copyright protection are considered generally, and then focus is on certain types of works whose copyrightability may be the subject of litigation in the future. Among those discussed are architectural designs, typeface designs, discoveries, pantomimes and choreographies. (LBH)

The statutory scheme of the Copyright Act of 1976 Section 106 is reviewed, followed by an analysis of the impact of the new provisions on such library activities as lending, photocopying, offering secondary services, and operating library networks and consortia. (LBH)

In Goldstein v. California the Supreme Court was asked to help eliminate unauthorized tapes, a problem in the recording industry. This article is a critical account of how, in search of a remedy, the court rediscovered state copyright law and neglected the concept of publication in copyright law. Available from: UCLA Law Review, 405 Hilgard Ave.,…