Examines ways in which visible language works with or against an accompanying image to produce desired effects on a reader or spectator and investigates the role that fiction and myth play in life, using a book cover and comic strip illustrations as examples. (DF)

Defines the scope of research concerning "inscriptions in painting" from a semiotic point of view. Shows that in cases from medieval pictograms to modern new concreteness inscriptions are used to subvert the pictorial content of art works. (RS)

Examines the interdependence of language and image in a poster series by Shosaku Arakawa and relates the displacement of writing from the book page to his canvases or posters to theories of performative language to show that his work is itself performance. (DF)