Recognizing the challenge of individualizing instruction, Wilhelm reminds us of some specific areas teachers must focus on: developing apprenticeship and inquiry settings in which student difference is a resource; connecting students to their reading and writing; honoring and using students' first languages; situating instruction in real or…

The author of "Candy" talks about the reality that a book is only paper until someone has read it and responded to it emotionally. "When I write a book it's alive in my head, but it only really comes alive when it finds a life in someone else's head." His essay is followed by a chapter from "Candy."

Just watch your characters and tell the story of what they're thinking and doing. It sounds easy, but Adoff confides that he becomes attached to his characters in the process of living in their heads, and sometimes awakens wondering if they're okay. It's that level of intimate storytelling that he hopes will connect with readers, allowing them to…

"[Teen literature] is the only genre of writing that is connected not by theme or style, but by an emotional stage of the reader and characters that populate the stories." Brian James embraces the complexity and unpredictability of his teen characters in hopes that readers will discover something about themselves in a confusing time of life. We…

Corrigan remembers well the angst and conflict of adolescence, as well as how important the right book at the right time could be in helping kids understand themselves and others. That ability to identify closely with teens permeates her story in verse, "Splintering," several verses of which are included here.

Discusses how connecting students to reading requires more than just an energetic approach. Presents a framework for reading experiences: engagement, exploration, collaboration, and individual celebration. Describes a program that gives students varied opportunities to become engaged in literature, choice in what they read, time to actually read,…

Describes a critical reading unit in which one seventh-grade class read L. Sacher's "Holes" and three other classes read texts of their choosing along with a partner. Notes that the goal was to set up a context for the students, as readers, to experience the main character's growth--for them to become active, independent, passionate readers. (SC)

To those who would claim that the study of literature is impractical, Probst would respond vehemently, "No, it is essential." The habit of thoughtful reading, insightful questioning, and critical evaluation are learned in English language arts classes where a variety of genres, characters, and situations push students to analyze and debate and…

Looks at two case examples of reader experiences, one of an 8th grader and another of a 2-year-old. Considers how to best promote reading by reading aloud in class. Presents a list of 37 highly recommended books for 8th-grade classes and a list of 11 books recommended for read-alouds. (SC)

Paints a portrait of a students' varied experiences with literature, and explains how the teacher brings the reading process to a conscious level with students and parents to help them appreciate readers' strengths. Intertwines several case studies of students and their awareness (or lack of awareness) of their own reading strategies. (RS)

Describes how the author has her students create "found poems" and use them in conjunction with the students' own Readers/Writers Logs to help students make more of a text, own it, and discover the power of effective language. Includes instructions, student samples of found poems, and samples of the entire process. (SR)

Discusses ways in which a teacher new to teaching ninth-grade English and new to the school district lured her "reluctant" readers into a true community of readers. Describes a trip to a local bookstore, building the reading community, writing in response to reading, graphic responses to reading, and oral responses to reading. (RS)

Describes a half-year curriculum called "Portraits," developed by three middle school teachers in collaboration with the education department of a museum, in which students learn and practice the skills involved in visual observation and apply them to reading and writing: precise observation of detail, accurate inference based on these facts, and…