In this article, the author redefines "text" and "poem" so that attention will be focused on the reader. The text, she argues, lies inert on the page until the reader comes along and brings it to life in the act of reading, reacting, and reflecting. A poem, then, must be thought of as an event in time. It is not an object or an ideal entity. It is…

No one seems to think it necessary to explain what is meant by "literature," or the "aesthetic." If one analyzes the use of these terms in their contexts, a variety of tacit assumptions seems to operate. Sometimes, all that is required is that a text already has been designated as "literature." Sometimes, the presence of story, of a narrative, is…

Discusses how connecting students to reading requires more than just an energetic approach. Presents a framework for reading experiences: engagement, exploration, collaboration, and individual celebration. Describes a program that gives students varied opportunities to become engaged in literature, choice in what they read, time to actually read,…

Describes how students in an undergraduate children's literature class constructed and created interpretations of the books they were reading. Notes that the students each designed a three-foot paper strip reflecting his or her personal response to the book. Finds fresh thinking, fewer repeated ideas, and more understanding of symbol, metaphor,…

Looks at two case examples of reader experiences, one of an 8th grader and another of a 2-year-old. Considers how to best promote reading by reading aloud in class. Presents a list of 37 highly recommended books for 8th-grade classes and a list of 11 books recommended for read-alouds. (SC)

Discusses ways in which a teacher new to teaching ninth-grade English and new to the school district lured her "reluctant" readers into a true community of readers. Describes a trip to a local bookstore, building the reading community, writing in response to reading, graphic responses to reading, and oral responses to reading. (RS)