Tells how actors can be taught stage dialects. Covers pre-rehearsal procedures, auditions, initial dialect sessions, and rehearsal procedures. Includes a bibliography of standard texts and recorded materials. (PD)

Evidence derived from college catalogues, textbooks, and national convention programs is used to explore the nature and history of acting instruction in America. Stanislavski's theories and practices are discussed with reference to their acceptance in the American scene. Supplementary tables included. (JD)

Outlines some problems common to actors and teachers in generating appropriately expressive speaking voices. Basic skills discussed include loudness without tension, clarity of articulation, use of intonation, and manipulation of rate. (JMF)

Offers a narrative based on a real event, in the form of a "docustory," describing that moment when teaching worked--when, in an instructional setting, communication was "perfect,""best," or "excellent." Describes how a high school student's performance of a scene from Shakespeare's "Othello"…