Reexamines classical tragedy and Brechtian acting exercises in an attempt to provide revitalized strategies offering greater pedagogical focus in practical drama classes. Presents a conceptual framework called "Moments of Dignity through Epics." (SR)

Interprets for the American reader the untranslated dramatic methods of Hans van Dam, a leading drama theorist in the Netherlands. Discusses the functions of drama as a method, closed dramatic methods, open dramatic methods, and applying van Dam's methods. (SR)

Describes Elbridge T. Gerry's work from 1874 to about 1900 as founder and director of the New York Society for the Prevention of Cruelty to Children. Notes his place at the center of the controversy surrounding children on the professional stage in New York. (SR)

Presents a conceptual framework for examining cultural diversity in theater and drama programs for young people. Describes and analyzes specific strategies used to increase cultural diversity in various organizations observed in the spring of 1991. (HB)

Presents a rationale for viewing theatre as a form of education, and looks at several different ideas for why and how drama should be taught; considers what types of skills children should acquire from a theatre class, and whether drama should focus on the internal, subjective experience of theatre, or the external mechanics of it. (JC)

Offers guidelines for working with deaf actors and sign language interpreters. Contains useful information for directors wanting to cast deaf actors in roles of deaf characters and to include sign language-interpreted performances of some of their regular productions. (JD)

Describes a case study which collected journals from, interviewed, and observed 23 children as they participated in a 6-week creative drama workshop using the Rutgers Imagination Method. Finds improvement in specific areas of learning, including vocabulary, imagery abilities, and dramatic behavior. (SR)