An examination of the nature and scope of theater training offered in Australian universities, professional schools and workshops. (RB)

A speech delivered before open meeting of Yale School of Drama (New Haven, Conn., January 15, 1969) and published in Yale Alumni Magazine," April 1969; interview conducted July 14, 1969, and published in yale/theatre," Winter 1969. (Editor/RD)

This paper examines the relationship between creation and destruction in the creative process. Findings from a study involving 60 actors and 60 criminals/delinquents (ages 10-65) indicate that the 2 populations are similar in their ability to use the creative process but criminals/delinquents do little productive with their ability. (Author/JDD)

This three-part guide contains suggestions for theater arts experiences for handicapped students. Part one discusses the rationale, purpose, and scope of this guide as well as four values of theater arts for the handicapped. Part two contains instructions for creative drama activities. Following a page of tips for the teacher, 18 activities using…

Results support the use of the Developmental Drama Scale to determine levels of student involvement in developmental drama. From this research, an image emerges of the student highly involved in drama as right-brained with high self-monitoring and acting skills. (PD)

Dialogical drama with puppets is a specific method of revealing basic cultural values for preschool children. For this study, an interactive performance of a puppet show for young children was videotaped, along with a later performance of the same show by the children. The study compared the techniques used by the adult performers and the children…