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D'Olimpio, Laura – Journal of Philosophy of Education, 2022
The point of education is to support students to be able to live meaningful, autonomous lives, filled with rich experiences. The arts and aesthetic education are vital to such flourishing lives in that they afford bold, beautiful, moving experiences of awe, wonder and the sublime that are connected to the central human functional capability…
Descriptors: Aesthetics, Art Education, Educational Philosophy, Aesthetic Education
D'Olimpio, Laura – British Journal of Educational Studies, 2022
In this paper, I offer a defence of aesthetic education in terms of aesthetic experience, claiming that aesthetic experience and art appreciation is a vital component of a flourishing life. Given schools have an important role to play in helping prepare young people for their adult lives, it is crucial they should consider how best to equip…
Descriptors: Aesthetic Education, School Role, Teaching Methods, Art Education
D'Olimpio, Laura – Theory and Research in Education, 2020
There is a debate within philosophy of literature as to whether narrative artworks should be judged morally, for their ethical value, meaning and impact. On one side you have the aesthetes, defenders of aestheticism, who deny the ethical value of an artwork can be taken into consideration when judging the work's overall aesthetic value. Richard…
Descriptors: Art Education, Aesthetics, Value Judgment, Ethics
D'Olimpio, Laura; Teschers, Christoph – Educational Philosophy and Theory, 2017
It can hardly be denied that play is an important tool for the development and socialisation of children. In this article we argue that through dramaturgical play in combination with pedagogical tools such as the Community of Inquiry, in the tradition of Philosophy for Children (P4C), students can creatively think, reflect and be more aware of the…
Descriptors: Philosophy, Children, Play, Nonverbal Communication
D'Olimpio, Laura – Educational Philosophy and Theory, 2015
There is a traditional debate in analytic aesthetics that surrounds the classification of film as Art. While much philosophy devoted to considering film has now moved beyond this debate and accepts film as a mass art, a subcategory of Art proper, it is worth reconsidering the criticism of film pre-Deleuze. Much of the criticism of film as…
Descriptors: Films, Aesthetics, Criticism, Classification