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Tubb, Phil – Creative Computing, 1982
The repetitious nature of music is thought to be very similar to the repetitious nature of computer algorithms. Subroutines are seen to be very effectively applied to music notation, through reducing repetitious entry and the amount of memory required to represent a musical score. Examples of subroutine use are provided. (MP)
Descriptors: Algorithms, Computer Science, Computers, Music

Mongeau, Marcel; Sankoff, David – Computers and the Humanities, 1990
Quantifies and confirms subjective impressions of similarity and differences in musical monophonic scores. Adapts concepts from sequence comparison theory and uses algorithms to define distances between any two melodies created by tone and rhythmic structure. Presents and applies a generalized algorithm for identifying locally similar portions in…
Descriptors: Algorithms, Cluster Analysis, Computer Uses in Education, Data Processing
Pearlman, Mari; And Others – 1993
This project explored the possible applications of new technology to standardized testing. Because the multimedia approach is particularly promising for music, the Graduate Record Examination (GRE) music test was chosen as the context for this project. The basic system for administering the test and recording the results was written using…
Descriptors: Algorithms, Cost Effectiveness, Educational Technology, Higher Education
Losee, Robert M., Jr. – 1993
A model of mono- or multimedia document structure is proposed consistent with the notion that there should be few changes in subject between one document passage and adjacent passages, where a passage may be a phrase, sentence, or paragraph. An algorithm for ordering passages in a composition is provided which is optimal given only a concern for…
Descriptors: Algorithms, Communication (Thought Transfer), Computer Assisted Instruction, Discourse Analysis