Recently, when preparing course materials for English graduate students on the practical skills and theoretical dimensions of teaching literature, the author surveyed the literature on the "state of the field" of literary studies in English (and the entire concept of a liberal arts education), ranging from high-profile monographs to various…

In Native American literary studies today there is a gap between the variety of criticism being produced and the metacritical debate about what Native literary criticism should look like. A review of recent issues of "Studies in American Indian Literatures", for example, will discover a wide variety of approaches, some relating literary…

This article presents the author's response to Sam McKegney's "Strategies for Ethical Engagement: An Open Letter Concerning Non-Native Scholars of Native Literatures." In his response to Sam's diagnosis of the malaise currently afflicting non-Aboriginal critics of this literature, the author attempts to consider the "cure" Sam offers (albeit…

To speak about separatism as a Canadian is to use a loaded term, one that invokes a significant yet historically specific sociocultural moment. Winners and losers emerged, and in the process, the word "separatism" received a bad rap. Consequently, as a white Canadian who still believes in at least the optimism of the multiculturalist…

James Welch's "Winter in the Blood" (1974) and "The Death of Jim Loney" (1979) are excellent examples of work that remains essentially misunderstood throughout some three decades of interpretation. Attempts to define these two books in terms of mainstream modernism notwithstanding, they represent a phenomenon not unlike aspects of American folk…

This book is an introduction to the literature and art of American writer N. Scott Momaday, winner of the 1969 Pulitzer Prize and member of the Kiowa American Indian Tribe. The book describes the impact of Momaday's family, Kiowa heritage, Pueblo cultural experiences, and academic preparation on his worldview, poetry, novels, essays, children's…

Beidler defends "The Crown of Columbus" against criticisms of its best-seller qualities and applauds its universality, playfulness, and thought-provoking qualities. Hoy views the novel as revisionist history contained within a seemingly frivolous narrative, a polyvocal protean voyage of discovery with humor and self-referentiality as its…

Discusses academic arguments over definitions of "trickster," who intrinsically disrupts classifications of any kind. Focuses on trickster's reemergence (particularly as female) in contemporary native American literature, which merges verbal art and tribal traditions with Anglo text forms to create a liminal literary space ideal for…

David Treuer's debut novel, "Little" (1995), is set on a Minnesota reservation, centering around a dilapidated housing tract that its small community of residents call "Poverty." Aptly named both for the condition and background of the housing, this name is the first pointer to the type of multifaceted reading that the novel…

In this essay, the author begins by acknowledging the necessity of teaching Native American and other indigenous literatures both alongside and independent of Western texts. Instructors should teach these works by listening to the Native authors' worldviews and literary traditions. However, when instructors try to teach Native literatures…

Examines apparent aberrations in the visual structure of the story-poems in Leslie Silko's "Ceremony." Suggests that the poems' texts act as skeletons for a series of illustrations that reflect the texts' content and provide the final ingredient necessary for "Ceremony" to become a ceremony--the invisible spirit helpers. (SV)

Native American literary works have often been ignored by serious critics or examined by social scientists in ways that rob them of their effectiveness as works of art. The emphasis of postmodern theory on the creative power of language, on narrative discourse, and on signs and semiotics allows an original and perceptive approach to Native…

Describes the fusion of cultural inheritance and imaginative innovation in the literary works of Native American authors and urges scholars not to view such works solely from an ethnographic perspective. (DD)

Examines common themes in three Native American novels by N. Scott Momaday, James Welch, and Leslie Silko: the power of Indian women's femaleness, and reintegration of the alienated male protagonist through ancient rituals that awaken the realization of the feminine principle within himself. (SV)

Discusses the Native American literary renaissance that began in 1968, and introduces a survey of 175 books published since then by American Indians and Eskimos. Clarifies usage of "American Indian,""American Indian literature," and "Native American." Examines literary criticism of contemporary Native American…