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Showing 1 to 15 of 112 results Save | Export
Ohrn, Deborah Gore, Ed. – Goldfinch: Iowa History for Young People, 1992
This issue of "The Goldfinch" examines the history of American Indians in Iowa. This volume's featured articles include: "Encounter"; "Iowa Earthworks"; "The Long Way Home"; "How One Learns, a Mesquakie Woman's Life Story"; "Indians of Iowa"; "Little Brother Snares the Sun";…
Descriptors: American Indian Culture, American Indian History, American Indians, Elementary Education
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Beidler, Peter G. – American Indian Quarterly, 1979
Tayo's war experiences have destroyed his reverence for the creatures of nature. His changed attitude of respect for animals, his acceptance of their apparently evil acts, and his imitation of them indicate his healing. By observing animals, Tayo learns what to accept and what to reject for his survival. (CM)
Descriptors: Alienation, American Indian Culture, American Indian Literature, American Indians
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Scarberry, Susan J. – American Indian Quarterly, 1979
Because of his mixed blood and his war experiences, Tayo feels displaced and estranged. Reoccurring bad memories have impaired his ability to function. He has forgotten the old stories which serve as guides to growth. His eventual recollection of the old stories is instrumental in effecting his healing. (CM)
Descriptors: Alienation, American Indian Culture, American Indian Literature, American Indians
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Jahner, Elaine – American Indian Quarterly, 1979
Mythic (stated in poetic form) and contemporary (stated in prose) narrative shapes the events of "Ceremony." Medicine Man Betonie teaches Tayo to relate cause to effect through story. Tayo must bring the meaning of changed life experiences to the way he feels the story. (CM)
Descriptors: American Indian Culture, American Indian Literature, American Indians, Cultural Background
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Allen, Paula Gunn – American Indian Quarterly, 1979
Focuses on the fundamental Native American idea that the land and the people are the same. Tayo's illness, a result of separation of person and land, is healed by their reunification. This is accomplished when Tayo makes ancient and new stories real in his actions (the Ceremony). (CM)
Descriptors: Alienation, American Indian Culture, American Indian Literature, American Indians
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Sands, Kathleen M., Ed.; Ruoff, A. Lavonne, Ed. – American Indian Quarterly, 1979
Seminar participants discuss the novel "Ceremony" as a curing ceremony, the function of memory in the novel, and the distinctly American Indian aspects of the novel (role of animals, circular images, ritual, mythology, Laguna cultural traditions, and use of oral tradition). (CM)
Descriptors: American Indian Culture, American Indian Literature, American Indians, Cultural Background
Brady, Elizabeth, Ed. – Canadian Woman Studies = Les Cahiers de la Femme, 1989
This journal volume by and about Indian, Inuit, and Metis native Canadian women, contains articles, interviews, book reviews, fiction, poetry, journal entries and art. It is dedicated to the grandmothers who managed to hold on to old ways, teachings, and feelings, and to pass them on. Poems and stories create personal portraits and reminiscences…
Descriptors: American Indian Culture, American Indian Languages, American Indians, Canada Natives
Bigelow, Bill, Ed.; And Others – Rethinking Schools, 1991
This periodical critiques the traditional views of Christopher Columbus and his voyages to America and looks at current issues that affect Native Americans. More than 50 essays, poems, historical documents, and articles are featured, including: "Columbus and Native Issues in the Elementary Classroom" (Bob Peterson); "Bones of…
Descriptors: American Indian Culture, American Indian History, American Indian Studies, American Indians
Clements, Susan – Blue Cloud Quarterly, 1988
This publication contains 17 poems that portray experiences of the Native American poet. American Indian images and symbols are combined in these poems: (1) "Grace"; (2) "Bowl With Splatter-Painted Hand"; (3) "Turtle"; (4) "Poem for a Newborn Niece"; (5) "Willowemoc"; (6) "The Vision-Hunter Dies in the Rain"; (7) "At the Top of the Fire Tower in…
Descriptors: American Indian Literature, American Indians, Creative Writing, Cultural Images
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Mitchell, Carol – American Indian Quarterly, 1979
Myth and ritual, the basis of the Ceremony, are crucial to Tayo's reidentification with nature. Traditional Laguna stories parallel Tayo's story and provide continuity between ancient ritual and Tayo's own on-going ceremony. Ritual is vital to Tayo's cure. (CM)
Descriptors: Acculturation, American Indian Culture, American Indian Literature, American Indians
NARF Legal Review, 1989
The Native American Rights Fund (NARF) is beginning a project to assist tribes and Indian communities with the legal aspects of economic and business development. Historic monopolistic and oppressive trade restrictions imposed on the tribes created an economic context that has suppressed Indian economic development for over two centuries. Faced…
Descriptors: American Indian Reservations, American Indians, Community Coordination, Community Development
Ramirez, Ray, Ed. – NARF Legal Review, 1993
This special theme issue outlines the history of discrimination against traditional Native American religions, including recent Supreme Court decisions. "Discrimination and Native American Religious Rights," by Senator Daniel K. Inouye, discusses the compelling government interest in eradicating discrimination and describes two Supreme…
Descriptors: Alaska Natives, American Indian Culture, American Indian History, American Indians
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Sands, Kathleen M. – American Indian Quarterly, 1979
Focusing on the natural world, the use of myth and ritual in the novel, and the formal design of the work, symposium papers present and analyze crucial themes and forms in Leslie Marmon Silko's "Ceremony," a novel distinctively Indian in narrative technique, thematic content, and structure. (CM)
Descriptors: American Indian Literature, American Indians, Literary Criticism, Literary Devices
Barreiro, Jose, Ed. – Northeast Indian Quarterly, 1988
A memory told and retold among Haudenosaunee traditional (Iroquois or Six Nations people, including the Mohawk, Oneida, Onondaga, Cayuga, Seneca, and Tuscarora) holds that in the formative days of the American republic, statesmen from the still powerful Indian Confederacy informed prominent colonists and some founding fathers on Indian concepts of…
Descriptors: American Indian History, American Indian Studies, American Indians, Colonial History (United States)
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Bell, Robert C. – American Indian Quarterly, 1979
All stories, ceremonies, and rituals are attempts to confer "totality" or structure on experience; ordinarily unrelated objects and events are given definite connection. In "Ceremony," the disjointed parts are refocused through the traditional hoop symbol and converge in a circular pattern of restoration and genuine renewal.…
Descriptors: American Indian Literature, American Indians, Cultural Background, Cultural Influences
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