Discusses the benefits of producing theater for young audiences and some of the scripts available. Considers the value of theater for young audiences. Discusses where to look for scripts including several play anthologies. Presents a list of 13 publishers of plays for young audiences. (SC)

Presents an interview with poet, anthologist, and teacher Paul Janeczko, in which he discusses the art of creating poetry anthology as well as the art of reading and teaching poetry. (SR)

Presents classroom teachers' recommendations for a variety of poetry anthologies, as well as one teacher's suggestions on making one's own anthology. (ARH)

Presents 100 short stories listed in order of the frequency of their appearance in college literature anthologies--thus a possible canon. Offers commentary on a few of the stories high on the list, focusing on their teachability. (SG)

Suggests that published critical analyses of literary works can be used as a pedagogical tool to expose students to informed literary perspectives. Outlines strategies that incorporate these resources into instruction by addressing several interpretations of Robert Frost's poem "The Road Not Taken." (RS)

Proposes four criteria for evaluating college readers (anthologies), highlighting features that might foster those proficiencies of active reading discussed by Bleich, Rosenblatt, Holland, Dillon, Fish, and other prominent theorists. Applies those four criteria to four best-selling college anthologies. (HTH)

Explains the use of the personal anthology to stimulate wide reading and hold students accountable for what they read. Identifies strategies for and results of using the personal anthology in English instruction. (MS)

Presents an assignment in which students look through a handful of poetry collections or anthologies, seeking 20 poems they like and thus understand or want to understand to some extent. Describes the benefits of this assignment, including honing students' interpretive skills, dispelling their misconceptions about the genre, and continuing their…

Both a guide and an anthology, this book is for teachers (and self-teachers) who would like to explore the list poem, a flexible poetic form that can be used by beginning writers (from kindergarten to 12th grade) as well as by the most sophisticated. The book: offers practical advice on how to teach list poetry; describes how to work with students…

Describes the many kinds of materials that English teachers can draw upon to enrich and expand students' experiences with literature. Outlines ancillary materials used to supplement the study of various literary anthologies. Argues that anthologies should be viewed as points of departure and not as destinations. (HB)

This book, a collection of poems by adolescents and adults, is designed to offer teachers a supplement to the standard middle school and high school literature anthologies. Divided into 11 themed sections, the collection mixes more than 100 poems by students in grades 5 to 12 with more than 40 pieces by adults, including well-known writers such as…

Describes how one eighth-grade teacher, disturbed by students' ignorance of the variety of poetry available to them, developed a poetry anthology assignment, in which students immersed themselves in poetry for three weeks, each one choosing and creating a poetry anthology comprised of 20 poems. Notes students' enthusiasm for the project and pride…

Explains the rationale for including short fiction in the curricula for two college developmental reading classes and describes the features of the anthologies used. Suggests the use of the middle and the advanced levels of "Best Short Stories" published by Jamestown Publishers. Notes that these anthologies contain features that make…

Gives an account of how one teacher taught poems from an anthology of black British poetry entitled "News for Babylon." Reviews actual lesson plans and approaches to specific poems. (TB)

Argues that an anthology of professional essays (because of its intellectual demands) can impede rather than facilitate mastery of basic writing skills. Suggests that the main criterion in selecting readings should be a good match between the audience assumed by the chosen texts and the actual audience in the classroom. (SR)