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Spowage, Poppy – Research in Drama Education, 2019
Despite a diverse and vibrant contemporary artistic scene, East Africa sees less international exposure than other regions on the continent; this article argues that a new approach to understanding the complexities and value of performance in the region is fundamental to developing the sector. East African Soul Train is a pop-up residency, which…
Descriptors: Performance, Foreign Countries, Artists, Cooperation
Vella, Raphael – International Journal of Art & Design Education, 2022
A socially engaged art project conducted in Malta in 2021 brought together a group of participants from different sub-Saharan African countries with artists and researchers to promote civic engagement and cultural inclusion and understand how participants' ideas could be promoted and discussed beyond the workshop. This article addresses one of the…
Descriptors: Foreign Countries, Global Approach, Citizenship, Migration
Doby-Copeland, Cheryl – Art Therapy: Journal of the American Art Therapy Association, 2019
Sarah McGee's major contribution to the profession of art therapy was her use of traditional African healing practices in her work with clients. Her immersive training as a ndeppkat (spiritual healer) and Lébou Ndepp rituals in Senegal offered a foundation for her approach to therapy. These rituals informed her work, even in secular settings,…
Descriptors: Art Therapy, Art, African Culture, Foreign Countries
Adom, Dickson; Kquofi, Steve; Agyem, Joe Adu – Journal of Education and Practice, 2016
The content of the Art History component in the General Knowledge in Art subject studied by various Senior High Schools in West Africa is largely of foreign art histories at the expense of the histories of African indigenous arts which are shallowly presented in the teaching syllabus to be taught students. This makes the students appreciate more…
Descriptors: Art History, Teaching Methods, High School Students, Course Descriptions
Lee, Nanci; Taylor, Peter – Journal of Adult and Continuing Education, 2011
This article shares contributions from a moderated e-forum in 2007 that explored the transformative potential of arts in learning and social change. It draws on examples of poetry, creative writing, and experiences of innovative practice shared through these conversations by adult educators in contexts as diverse as Africa, Asia, Europe, North…
Descriptors: Adult Education, Transformative Learning, Adult Educators, Art
Brown, Angela Khristin – Advances in Language and Literary Studies, 2013
The migration of blacks in North America through slavery became united. The population of blacks past downs a tradition of artist through art to native born citizens. The art tradition involved telling stories to each generation in black families. The black culture elevated by tradition created hope to determine their personal freedom to escape…
Descriptors: Culture Conflict, Blacks, Slavery, Art
Canestrari, Alan S., Ed.; Marlowe, Bruce A., Ed. – John Wiley & Sons, Inc, 2018
"The Wiley International Handbook of Educational Foundations" features international scholars uniquely qualified to examine issues specific to their regions of the world. The Handbook provides readers with an alternative to the traditional texts in the foundations of education by taking aim at the status quo, and by offering frameworks…
Descriptors: Foundations of Education, Educational Change, Teaching (Occupation), Curriculum
Lamanna, Stacy H. – SchoolArts: The Art Education Magazine for Teachers, 2007
Africa is so rich with ancient cultures, crafts, and traditions; a source of artists' inspirations and their works of art. A vast array of Africa's tribes and regions produce their own art specific to each tribe's culture. Masks and sculptures are two of the most common types of art produced. In addition to Africa's art, the terrain is home to…
Descriptors: Animals, Art Education, Art, Foreign Countries
Gomez, Aurelia – SchoolArts: The Art Education Magazine for Teachers, 2008
Tiny metal objects, some representational, showing body parts or saints; others abstract or symbolic, are powerful items in spite of their diminutive size. These are amulets, milagros, and ex-votos and they represent a pathway to the supernatural for peoples all over the globe. Part of folk and traditional religious practices, amulets are used to…
Descriptors: Folk Culture, Art, Religion, Cultural Differences
Reynolds, Ruth; Lane, Sue – Australian Teacher Education Association, 2009
In an attempt to develop tolerance and acceptance of other cultural groups, teacher educators from the University of Newcastle worked with members of the local African community and teachers from a local school to develop a Creative Arts and Geography program for young school children (aged 7-9 years). The program developed put together the…
Descriptors: Intervention, Geography, Foreign Countries, Teacher Educators
Kelso, Ann B., Ed. – 1993
In an introductory section by Michael D. Harris, this resource presents a discussion of aspects and problems in the WEstern study of African Art. This is followed by six lesson plans based on art works from the Fred and Rita Richman Collection of Sub-Saharan Art in the High Museum. The handbook follows Georgia's Quality Core Curriculum and the Ten…
Descriptors: African Culture, African Studies, Art, Art Appreciation
Burchenal, Margaret; And Others – 1995
This teacher resource packet provides information, techniques, and a series of lesson units designed to introduce students to ancient Nubia through works of art found in the collection of the Museum of Fine Arts, Boston, Massachusetts. The packet consists of three curriculum units based upon aspects of ancient Nubian life or culture. These units…
Descriptors: Ancient History, Art, Art Activities, Art Criticism
Ehresmann, Donald L. – 1975
Intended as a guide to basic books in art history for general readers and beginning to advanced students, this annotated bibliography identifies works published between 1958 and 1973. Part 1 lists basic reference tools, and Part 2 lists basic histories and handbooks of world art history. The classification system used is geography-based and…
Descriptors: Annotated Bibliographies, Art, Art History, Bibliographies
Chanda, Jacqueline – 1990
Three different models for the teaching of African art are presented in this paper. A comparison of the differences between the approaches of Western art historians and African art historians informs the articulation of the three models--an approach for determining style, another for dealing with analysis, and a third for synthetic interpretation.…
Descriptors: African Culture, Art, Art Education, Art History
Needler, Toby; Goodman, Bonnie – 1991
The eight units in this volume are designed for use by an art teacher/specialist. Thematic ideas are presented, while skills, techniques, and materials are not dictated. The lessons encourage students to compare and contrast cultures, understand their own cultural experiences, and explore differences and commonalities among cultures. The materials…
Descriptors: African Culture, Architecture, Art, Art Activities
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