Author described a show of dissident art held in Moscow on September 29, 1974, and contrasted the government's efforts to control artistic freedom with the determination of Russian artists to resist such imposition. (RK)

Described the development of Minimal Art, a composite name that has been applied to the scattering of bland, bleak, non-objective fine arts painting and sculpture forms that proliferated slightly mysteriously in the middle 1960's as Pop Art began to decline. (Author/RK)

Author outlined a pattern of events that, with chance, might bring arts in the western world, for the first time in 500 years, back towards the people. (Author/RK)

Author discussed the consciousness of art, suggested that there is too much talk about art, and presented art as it is valued and used from an assortment of different viewpoints. (RK)

Discussed an effective mural program for the Mexican Americans of East Los Angeles. (Author/RK)

Attitudes of religious institutions toward art are discussed. It is suggested that art is regarded with suspicion because it involves the senses and sensibilities, and that Protestant-English based theology is afraid of sensuality because of its changing, rather than predictable, nature. (RW)

Article concludes that the arts play an important role in revitalizing the human spirit. (RW)

This article described TAP (Total Arts Program), designed to test the feasibility of unifying community efforts with school arts programs. (Author/RK)

The artist was commissioned by a religious association to create a dramatic presentation in celebration of the bicentennial. A brief article presents some thoughts on artistic freedom, and describes response to his production. (RW)

Author commented on the papers by Rudich (AA 521 870), San Juan (AA 521 871), and Morawski (AA 521 872) presented in this issue of the journal. (RK)

In this paper some historical, ethnological, and contemporary aspects of the phenomena of the social status of art was examined. (Author/RK)

Article examines the attitudes of conservative Christians toward the arts, and discusses reasons behind the lack of appreciation among many of these people. (RW)

Author presented happenings and conceptual art as an early symptom of a new cultural epoch in which the crisis of aesthetic values is proven. (Author/RK)

Author presented his opinion of the positions of San Juan (AA 521 871) and Rudich (AA 521 870) while answering Dickie's comments (AA 521 873) and defending his previous paper (AA 521 872) in this journal. (RK)

Author investigated how the fine arts can become a more accepted and integrated part of higher education. (Author/RK)