This article presents ways to incorporate the works of artist Edward Hopper in the ELA secondary classroom. Students analyze Hopper's paintings as a text and create their own responses in the form of poetry, short story, photography, and other visual media.

Describes using the art and music of Impressionism to approach Stephen Crane's "The Red Badge of Courage," enabling students to understand how Crane's series of vivid episodes and brilliant but detached images melt into one another, forming a whole picture. (SR)

Describes how a teacher used the novella as a writing project to help students appreciate literature during their junior year. Explains how the teacher introduces the idea of the writing project and how he instructs them in the task. (TB)

Outlines a course which uses dominant metaphors to connect the arts (particularly art, music, and literature) and which features discussions and student response journals ("thought-logs") to tap the pattern-perceiving potential of the right brain. (MM)

Establishes a link between the themes of Golding's fiction and the paintings of the Brueghel. Traces their use of the grotesque to impress a message on the mind of the reader or viewer. (CRH)

Recounts one teacher's use of art in the poetry-writing classroom, and suggests that its success stems from the following elements: schemata for seeing, experience with poetry, individual choice of art and poetic form, an encouraging environment, time to look and think and feel, and a powerful subject. (SR)

Describes how, in an American literature survey class, the characteristics of literary periods are underscored by seeing them reflected in contemporary visual arts, via a creative writing assignment, and by cooperating with the local museum. (SR)

Outlines a one-semester course on mythology and the Bible. Notes that the course focuses on a reader-response approach to literature, and combines experiences with art and dance as well as with literary texts. (MM)