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Kennedy, Michelle – Research in Dance Education, 2009
As artists seek new ways to reflect an increasingly digital and global culture, theatrical dance in the UK and Europe has seen a growing collaboration and cross-fertilisation between forms of dance, theatre, visual art, film and technology. As the boundaries between artistic disciplines continue to blur, it seems clear that dance audiences need to…
Descriptors: Dance Education, Foreign Countries, Dance, Interdisciplinary Approach
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Redfern, Betty – Research in Dance Education, 2007
Western aesthetics tends to maintain its long-standing preoccupation with the visual arts, music and literature. The dance, along with the arts of radio and television drama, has not yet received the attention that would seem commensurate with the cultural importance of these forms and the widespread influence they undoubtedly exert. To come upon…
Descriptors: Intellectual Disciplines, Aesthetics, Educational Change, Dance Education
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Redfern, Betty – Research in Dance Education, 2003
The purpose of the "Perspectives" section of "Research in Dance Education" is to make available valuable material relating to dance education that is out of print and, therefore, difficult to obtain. In this issue's "Perspectives" contribution, the author raises issues that are significant for dance education and possibly as relevant today as…
Descriptors: Dance Education, Audiences, Audience Awareness, Concept Formation
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Curl, Gordon – Research in Dance Education, 2005
-This paper was presented to the VII Commonwealth and International Conference on Sport, Physical Education, Recreation and Dance in Brisbane in 1982 (1200 delegates) and was subsequently published in Volume 1 (Dance) of the Conference Proceedings by the Department of Human Movement Studies, University of Queensland Australia. The Conference…
Descriptors: Physical Education, Dance, Dance Education, Art Education
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Gregory, Katie – Research in Dance Education, 2005
This critical analysis focuses on the movement vocabulary and interaction of dancers in selected sections of the filmed version of "White Man Sleeps" (1988) by Siobhan Davies. The choreography is divided into five distinct parts, in accordance with divisions in the musical accompaniment from which the piece takes its name, a suite of…
Descriptors: Movement Education, Foreign Countries, Art Criticism, Dance
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Best, David – Research in Dance Education, 2004
In this essay, the author notes a danger concerning the general approach to teaching about the arts through improper use of the concepts "aesthetic" and "artistic." Observing that both concepts are often used interchangeably, with "aesthetic" being seen as the more generic term, the author argues that these concepts are separate and should be…
Descriptors: Visual Arts, Educational Objectives, Art Education, Aesthetic Education